Jamie Jones — Jamie Jones live at Ultra Miami 2018
Tech House · 1h 34m · Ultra Music Festival · analysed 19 Aug 2026
About this tech house set
Jamie Jones live at Ultra Miami 2018 is a tech house DJ set by Jamie Jones, running 1h 34m. It was measured by the SOONOS multi-agent engine and scores 84/100 overall — club ready.
The engine files this performance as “Promising”.
This is how you build a set: by prioritizing the physical response of the dancefloor over individual track highlights.
How the score breaks down
SOONOS scores this set across 5 weighted categories. The strongest is IDENTITY at 94/100; the weakest is SURPRISE at 81/100.
The final score is capped by measured -: the DSP layer overrides the listening layer whenever it measures an execution issue directly in the audio.
Analysis coverage for this file is 100% — the share of the set the engine could measure with full confidence.
Energy and structure
The energy curve was sampled at 25 points, moving between 65 and 92 on the SOONOS energy scale — a moderate dynamic range across the set.
6 transitions were detected and scored individually.
Beat-grid measurement (DSP) reports 587.1 grid breaks per hour, with a median beat offset of 20 ms.
Full SOONOS analysis
This is how you build a set: by prioritizing the physical response of the dancefloor over individual track highlights.
The 8 dimensions
Score breakdown
TECHNIQUE
How well did you execute?
25%84
TECHNIQUE
How well did you execute?
STORYTELLING
Did the mix go somewhere?
25%89
STORYTELLING
Did the mix go somewhere?
ENERGY
Did you control the room?
20%84
ENERGY
Did you control the room?
SURPRISE
Did you remain unpredictable?
15%81
SURPRISE
Did you remain unpredictable?
IDENTITY
Did the mix sound like you?
15%94
IDENTITY
Did the mix sound like you?
Final score capped by measured execution (-) — weighted average was 86.
Energy arc
Transitions analysed (6)
Long EQ blend with low-end swap
Flawless transition; the incoming track's groove is introduced so subtly it feels like a natural progression of the first track.
Phased mid-range blend
A patient blend that uses the mid-frequencies to bridge two tracks with different percussive textures.
Long EQ blend with low-end swap on phrase
Invisible transition that maintains the rolling momentum perfectly.
Phrase-aligned drop with vocal introduction
High-impact moment that signals a new chapter in the set.
Perfect Groove Lock
Minor EQ Overlap
Technical subscores
91
EQ balance
95
Beat alignment
89
Energy control
95
Tempo stability
89
Loudness control
91
Musical coherence
88
Harmonic compatibility
91
Transition cleanliness
Measured (DSP)
19.5 ms
Beat-grid drift (median)
260.2 ms
Drift p95
5,624
Boundaries detected
83
Hard cuts / h
30
Clipping events
364
Level jumps
Measurement confidence 100% · analysed on the full audio.
Recurring patterns
Long static loops (5×)
Sections sitting on the same loop without layering, EQ moves or tension shifts (17:00, 36:30, 42:00, 71:00, 80:00). Long loops kill dancefloor momentum.
What SOONOS heard
- Groove continuity
- Technical precision
- Selection
Timeline
- 0:45Vocal Hook Entry
- 6:50Energy Peak
- 18:45Groove Lock Mastery
- 22:10Energy Peak
Coaching notes
- Continue utilizing long blends to maintain the 'third track' energy.
- Experiment with more dramatic high-pass filter sweeps during breakdowns.
- Consider a 'reset' track with a completely different drum palette to surprise the crowd.
Curious how your own set scores?
Questions about this analysis
- What score does Jamie Jones's Jamie Jones live at Ultra Miami 2018 get?
- Jamie Jones live at Ultra Miami 2018 scores 84/100 in the SOONOS Mix Database (club ready), based on audio measurement plus multi-agent listening.
- How long is Jamie Jones live at Ultra Miami 2018?
- The analysed recording runs 1h 34m.
- Which part of the mix scores best?
- IDENTITY is the strongest category at 94/100, while SURPRISE is the lowest at 81/100.
- How is this score calculated?
- SOONOS measures the audio with a DSP pass (beat grid, loudness, tempo, energy) and runs a multi-agent listening pass on top. Measured axes always override the listening layer, so an execution issue heard in the file caps the final score.
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