SOONOS

    Pole FolderPole Folder - Reworck Label night at Café d'Anvers - June 2013

    Melodic Techno · 1h 54m · analysed 25 Aug 2026 · source: soundcloud.com

    Overall score
    70/100
    Level
    solid
    Duration
    1h 54m
    Genre
    Melodic Techno

    Public mix analysis — no affiliation or endorsement. This report measures a publicly available recording hosted on soundcloud.com. The scores are produced by SOONOS and do not imply any partnership with, or approval by, Pole Folder.

    In short

    Pole Folder - Reworck Label night at Café d'Anvers - June 2013 by Pole Folder scores 70/100 in the SOONOS analysis (solid). The strongest dimension is IDENTITY (90/100) and the weakest is SURPRISE (81/100).

    You aren't just playing tracks; you are weaving a sonic tapestry that respects the listener's intelligence.

    Key takeaways

    What weakened the set

    • Long static loops (6×) — Sections sitting on the same loop without layering, EQ moves or tension shifts (0:00, 13:00, 19:00, 25:00, 31:00, 35:05). Long loops kill dancefloor momentum.

    What to try next

    • Continue the long-blend technique as it is your strongest technical asset.
    • Experiment with brief, high-impact silence or 'cuts' to contrast the long blends.
    • Introduce a vocal-led track in the next 20 minutes to provide a narrative anchor.
    • Experiment with subtle polyrhythms to add another layer of complexity to the hypnotic groove.

    Timestamped insights

    Each moment below is tagged with how it was produced: “measured” comes from the DSP pass on the audio, “listening” comes from the multi-agent listening pass.

    • 04:45Measured (DSP)92/100Listen at 04:45

      A textbook example of a 'ghost' transition where the tracks merge perfectly.

    • 09:42Measured (DSP)88/100Listen at 09:42

      Smooth introduction of the third track, maintaining the atmospheric tension.

    • 12:15Measured (DSP)94/100Listen at 12:15

      Perfectly executed long blend; the transition is felt rather than heard.

    • 18:30Measured (DSP)90/100Listen at 18:30

      Smooth transition into a more percussive track, maintaining the hypnotic groove.

    • 24:12Measured (DSP)88/100Listen at 24:12

      Seamless transition that preserves the hypnotic flow.

    • 29:45Measured (DSP)85/100Listen at 29:45

      Smooth introduction of industrial textures.

    About this melodic techno set

    Pole Folder - Reworck Label night at Café d'Anvers - June 2013 is a melodic techno DJ set by Pole Folder, running 1h 54m. It was measured by the SOONOS multi-agent engine and scores 70/100 overall — solid.

    The engine files this performance as “Promising”.

    You aren't just playing tracks; you are weaving a sonic tapestry that respects the listener's intelligence.

    How the score breaks down

    SOONOS scores this set across 5 weighted categories. The strongest is IDENTITY at 90/100; the weakest is SURPRISE at 81/100.

    The final score is capped by measured beatmatching: the DSP layer overrides the listening layer whenever it measures an execution issue directly in the audio.

    Analysis coverage for this file is 100% — the share of the set the engine could measure with full confidence.

    Energy and structure

    The energy curve was sampled at 65 points, moving between 40 and 85 on the SOONOS energy scale — a wide dynamic range across the set.

    6 transitions were detected and scored individually.

    Beat-grid measurement (DSP) reports 153.7 grid breaks per hour, with a median beat offset of 29 ms.

    How this score is built

    Measured layer (DSP): the audio file is analysed directly — beat grid, tempo stability, loudness and energy. These values are measurements, not opinions.

    Listening layer: a multi-agent pass reads musical intent — programming, storytelling, coherence and crowd effect. This layer interprets, it does not measure.

    Fusion and ceilings: the two layers are merged, and the measured layer always wins on execution. When the DSP hears an execution problem, it caps the final score even if the listening layer is positive.

    On this set, the ceiling applied is measured beatmatching.

    Measured coverage for this file is 100% of the set.

    Listen to the original set

    Full SOONOS analysis

    0

    You aren't just playing tracks; you are weaving a sonic tapestry that respects the listener's intelligence.

    The 8 dimensions

    Not available — the 8-dimension profile was not measured for this set.

    Score breakdown

    TECHNIQUE

    How well did you execute?

    25%84
    Beat Alignmentmeasured64
    Transition Qualitymeasured90
    Phrase Accuracymeasured91
    EQ & Frequency Control (estimated)measured86
    Tempo Stability (estimated)measured94
    Technical Cleanlinessmeasured85

    STORYTELLING

    Did the mix go somewhere?

    25%88
    Narrative ArcAI92
    ProgressionAI87
    Tension & ReleaseAI83
    Section AwarenessAI88
    Flow ContinuityAI93
    PayoffAI80

    ENERGY

    Did you control the room?

    20%85
    Energy Curvemeasured81
    PacingAI90
    MomentumAI90
    Peak ManagementAI84
    Energy HandoffAI85
    Fatigue ControlAI76

    SURPRISE

    Did you remain unpredictable?

    15%81
    Unexpected MomentsAI77
    ContrastAI82
    Transition Varietymeasured91
    Selection RiskAI79
    FreshnessAI73
    Surprise ControlAI77

    IDENTITY

    Did the mix sound like you?

    15%90
    Selection QualityAI86
    Identity ConsistencyAI96
    IntentionalityAI89
    ConfidenceAI89
    RestraintAI92
    SignatureAI86

    Final score capped by measured beatmatching — the weighted average before the cap was 86.

    Energy arc

    00:00114:00

    Transitions analysed (6)

    04:45

    Long EQ blend with low-end swap on phrase

    A textbook example of a 'ghost' transition where the tracks merge perfectly.

    92
    09:42

    Progressive layering with high-pass filtering

    Smooth introduction of the third track, maintaining the atmospheric tension.

    88
    12:15

    64-bar EQ blend

    Perfectly executed long blend; the transition is felt rather than heard.

    94
    18:30

    Progressive layering with high-pass filtering

    Smooth transition into a more percussive track, maintaining the hypnotic groove.

    90
    24:12

    Long EQ blend, swapping lows at the end of a 32-bar phrase.

    Seamless transition that preserves the hypnotic flow.

    88
    29:45

    Filter-assisted blend with mid-frequency focus.

    Smooth introduction of industrial textures.

    85

    Technical subscores

    86

    EQ balance

    93

    Beat alignment

    86

    Energy control

    94

    Tempo stability

    85

    Loudness control

    91

    Musical coherence

    90

    Harmonic compatibility

    89

    Transition cleanliness

    Measured (DSP)

    29 ms

    Beat-grid drift (median)

    Typical gap between the two tracks' beats while they play together. Lower is tighter.

    43 ms

    Drift p95

    Worst-case drift: 95% of the set stays tighter than this value.

    6,842

    Boundaries detected

    Points where the audio changes track or section.

    16

    Hard cuts / h

    Abrupt track changes per hour, with no blend between the two records.

    2

    Clipping events

    Moments where the recording hits the ceiling and distorts.

    99

    Level jumps

    Sudden volume steps between tracks.

    Measurement confidence 100% · analysed on the full audio.

    Recurring patterns

    • Long static loops (6×)

      Sections sitting on the same loop without layering, EQ moves or tension shifts (0:00, 13:00, 19:00, 25:00, 31:00, 35:05). Long loops kill dancefloor momentum.

    Timeline

    • 04:45The Invisible Handover
    • 09:15Tension Peak
    • 14:45Groove Lock
    • 21:30Atmospheric Peak
    • 27:20Tension Peak

    Coaching notes

    • Continue the long-blend technique as it is your strongest technical asset.
    • Experiment with brief, high-impact silence or 'cuts' to contrast the long blends.
    • Introduce a vocal-led track in the next 20 minutes to provide a narrative anchor.
    • Experiment with subtle polyrhythms to add another layer of complexity to the hypnotic groove.
    • Use delay-based FX more aggressively during transitions to create a sense of 'bleeding' between tracks.
    • Consider a brief 'silent' breakdown (kick-free) to reset the room's energy before a major peak.
    • Experiment with brief, high-frequency percussive stabs to add 'sparkle' to the mix.
    • Use the 64-bar blend technique to introduce more complex polyrhythms.
    • Consider a 'reset' moment in the next segment to refresh the crowd's ears.
    • Use subtle high-frequency modulation to add 'sparkle' to long percussive loops.
    • Experiment with slightly more aggressive filter work during breakdowns to create more dramatic tension.
    • Consider introducing a very sparse melodic element to provide a narrative anchor.
    • Maintain the long-blend technique as it is a core strength.
    • Experiment with more dramatic EQ filtering during breakdowns.
    • Introduce a 'wildcard' track to add a layer of surprise to the set.
    Listen on SoundCloud

    Curious how your own set scores?

    Methodology and limitations

    This report is produced automatically from the published recording. It measures what is present in the audio file: a bad source encoding, a partial upload or a heavily processed broadcast version can change the measured values. Nothing here reflects the room, the crowd or the night itself.

    Read the full SOONOS methodology →

    Questions about this analysis

    What score does Pole Folder's Pole Folder - Reworck Label night at Café d'Anvers - June 2013 get?
    Pole Folder - Reworck Label night at Café d'Anvers - June 2013 scores 70/100 in the SOONOS Mix Database (solid), based on audio measurement plus multi-agent listening.
    How long is Pole Folder - Reworck Label night at Café d'Anvers - June 2013?
    The analysed recording runs 1h 54m.
    Which part of the mix scores best?
    IDENTITY is the strongest category at 90/100, while SURPRISE is the lowest at 81/100.
    How is this score calculated?
    SOONOS measures the audio with a DSP pass (beat grid, loudness, tempo, energy) and runs a multi-agent listening pass on top. Measured axes always override the listening layer, so an execution issue heard in the file caps the final score.

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