Kevin Saunderson — Kevin Saunderson - Live @ DC-10 Ibiza (September 3, 2013)

    Classics · 1h 38m · analysed 18 Aug 2026 · source: soundcloud.com

    Overall score
    85/100
    Level
    festival ready
    Duration
    1h 38m
    Genre
    Classics

    Public mix analysis — no affiliation or endorsement. This report measures a publicly available recording hosted on soundcloud.com. The scores are produced by SOONOS and do not imply any partnership with, or approval by, Kevin Saunderson.

    In short

    Kevin Saunderson - Live @ DC-10 Ibiza (September 3, 2013) by Kevin Saunderson scores 85/100 in the SOONOS analysis (festival ready). The strongest dimension is IDENTITY (94/100) and the weakest is TECHNIQUE (81/100).

    Saunderson proves that a mix doesn't need 'drops' to be high-energy; the tension is in the relentless evolution of the loop.

    Key takeaways

    What weakened the set

    • Long static loops (6×) — Sections sitting on the same loop without layering, EQ moves or tension shifts (4:00, 13:30, 26:00, 43:30, 65:00, 73:00). Long loops kill dancefloor momentum.

    What to try next

    • Maintain the patient layering; it's your strongest asset.
    • Experiment with more aggressive filter work during transitions to add variety.
    • Consider a brief 'reset' moment (breakdown) around the 15-minute mark.
    • Maintain the high-energy plateau but consider a brief atmospheric reset to enhance the next peak.

    Timestamped insights

    Each moment below is tagged with how it was produced: “measured” comes from the DSP pass on the audio, “listening” comes from the multi-agent listening pass.

    • 8:45Measured (DSP)92/100Listen at 8:45

      A textbook Detroit-style transition. The incoming track's percussion is introduced early, and the bass swap at 9:15 is perfectly timed with the phrase.

    • 12:15Measured (DSP)94/100Listen at 12:15

      Perfectly executed handover, maintaining the percussive drive.

    • 16:20Measured (DSP)92/100Listen at 16:20

      Smooth transition that builds energy through rhythmic density.

    • 20:45Measured (DSP)88/100Listen at 20:45

      Effective use of filtering to transition while maintaining pressure.

    • 24:12Measured (DSP)88/100Listen at 24:12

      A textbook Detroit-style transition. The incoming track's percussion is introduced early, creating a seamless rhythmic bridge.

    About this classics set

    Kevin Saunderson - Live @ DC-10 Ibiza (September 3, 2013) is a classics DJ set by Kevin Saunderson, running 1h 38m. It was measured by the SOONOS multi-agent engine and scores 85/100 overall — festival ready.

    The engine files this performance as “Promising”.

    Saunderson proves that a mix doesn't need 'drops' to be high-energy; the tension is in the relentless evolution of the loop.

    How the score breaks down

    SOONOS scores this set across 5 weighted categories. The strongest is IDENTITY at 94/100; the weakest is TECHNIQUE at 81/100.

    Analysis coverage for this file is 100% — the share of the set the engine could measure with full confidence.

    Energy and structure

    The energy curve was sampled at 39 points, moving between 60 and 94 on the SOONOS energy scale — a moderate dynamic range across the set.

    5 transitions were detected and scored individually.

    Beat-grid measurement (DSP) reports 364.4 grid breaks per hour, with a median beat offset of 21 ms.

    How this score is built

    Measured layer (DSP): the audio file is analysed directly — beat grid, tempo stability, loudness and energy. These values are measurements, not opinions.

    Listening layer: a multi-agent pass reads musical intent — programming, storytelling, coherence and crowd effect. This layer interprets, it does not measure.

    Fusion and ceilings: the two layers are merged, and the measured layer always wins on execution. When the DSP hears an execution problem, it caps the final score even if the listening layer is positive.

    Measured coverage for this file is 100% of the set.

    Listen to the original set

    Full SOONOS analysis

    0

    Saunderson proves that a mix doesn't need 'drops' to be high-energy; the tension is in the relentless evolution of the loop.

    The 8 dimensions

    Not available — the 8-dimension profile was not measured for this set.

    Score breakdown

    TECHNIQUE

    How well did you execute?

    25%81
    Beat Alignmentmeasured80
    Transition Qualitymeasured57
    Phrase Accuracymeasured92
    EQ & Frequency Control (estimated)measured86
    Tempo Stability (estimated)measured93
    Technical Cleanlinessmeasured85

    STORYTELLING

    Did the mix go somewhere?

    25%90
    Narrative ArcAI92
    ProgressionAI90
    Tension & ReleaseAI84
    Section AwarenessAI89
    Flow ContinuityAI94
    PayoffAI89

    ENERGY

    Did you control the room?

    20%86
    Energy Curvemeasured81
    PacingAI92
    MomentumAI95
    Peak ManagementAI87
    Energy HandoffAI90
    Fatigue ControlAI61

    SURPRISE

    Did you remain unpredictable?

    15%82
    Unexpected MomentsAI81
    ContrastAI79
    Transition Varietymeasured92
    Selection RiskAI87
    FreshnessAI59
    Surprise ControlAI81

    IDENTITY

    Did the mix sound like you?

    15%94
    Selection QualityAI92
    Identity ConsistencyAI97
    IntentionalityAI94
    ConfidenceAI96
    RestraintAI89
    SignatureAI94

    Energy arc

    0:0097:48

    Transitions analysed (5)

    8:45

    Long EQ blend with low-end swap

    A textbook Detroit-style transition. The incoming track's percussion is introduced early, and the bass swap at 9:15 is perfectly timed with the phrase.

    92
    12:15

    Long EQ blend with low-end swap

    Perfectly executed handover, maintaining the percussive drive.

    94
    16:20

    Percussive layering and mid-range swap

    Smooth transition that builds energy through rhythmic density.

    92
    20:45

    Filter sweep and quick EQ swap

    Effective use of filtering to transition while maintaining pressure.

    88
    24:12

    Long EQ blend with low-end swap

    A textbook Detroit-style transition. The incoming track's percussion is introduced early, creating a seamless rhythmic bridge.

    88

    Technical subscores

    86

    EQ balance

    91

    Beat alignment

    89

    Energy control

    93

    Tempo stability

    86

    Loudness control

    91

    Musical coherence

    82

    Harmonic compatibility

    86

    Transition cleanliness

    Measured (DSP)

    21 ms

    Beat-grid drift (median)

    Typical gap between the two tracks' beats while they play together. Lower is tighter.

    223 ms

    Drift p95

    Worst-case drift: 95% of the set stays tighter than this value.

    5,850

    Boundaries detected

    Points where the audio changes track or section.

    165

    Hard cuts / h

    Abrupt track changes per hour, with no blend between the two records.

    9193

    Clipping events

    Moments where the recording hits the ceiling and distorts.

    458

    Level jumps

    Sudden volume steps between tracks.

    Measurement confidence 100% · analysed on the full audio.

    Recurring patterns

    • Long static loops (6×)

      Sections sitting on the same loop without layering, EQ moves or tension shifts (4:00, 13:30, 26:00, 43:30, 65:00, 73:00). Long loops kill dancefloor momentum.

    Timeline

    • 4:30Groove Lock Established
    • 9:30Energy Shift
    • 15:45Groove Lock
    • 19:20Peak Energy Point
    • 26:45Bassline Drop
    • 29:30Percussive Peak

    Coaching notes

    • Maintain the patient layering; it's your strongest asset.
    • Experiment with more aggressive filter work during transitions to add variety.
    • Consider a brief 'reset' moment (breakdown) around the 15-minute mark.
    • Maintain the high-energy plateau but consider a brief atmospheric reset to enhance the next peak.
    • Continue to leverage long, percussive blends as they are a core strength of this style.
    • Monitor the high-frequency balance during dense layering to avoid listener fatigue.
    • Use more aggressive high-pass filtering during transitions to create 'air' in the mix.
    • Experiment with short (1-beat) silences before a new phrase to snap the crowd's attention back.
    • Introduce a subtle melodic element in the final third of the segment to provide a narrative resolution.
    Listen on SoundCloud

    Curious how your own set scores?

    Methodology and limitations

    This report is produced automatically from the published recording. It measures what is present in the audio file: a bad source encoding, a partial upload or a heavily processed broadcast version can change the measured values. Nothing here reflects the room, the crowd or the night itself.

    Read the full SOONOS methodology →

    Questions about this analysis

    What score does Kevin Saunderson's Kevin Saunderson - Live @ DC-10 Ibiza (September 3, 2013) get?
    Kevin Saunderson - Live @ DC-10 Ibiza (September 3, 2013) scores 85/100 in the SOONOS Mix Database (festival ready), based on audio measurement plus multi-agent listening.
    How long is Kevin Saunderson - Live @ DC-10 Ibiza (September 3, 2013)?
    The analysed recording runs 1h 38m.
    Which part of the mix scores best?
    IDENTITY is the strongest category at 94/100, while TECHNIQUE is the lowest at 81/100.
    How is this score calculated?
    SOONOS measures the audio with a DSP pass (beat grid, loudness, tempo, energy) and runs a multi-agent listening pass on top. Measured axes always override the listening layer, so an execution issue heard in the file caps the final score.

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