Helena Hauff — Helena Hauff - Birds and Other Instruments #3 - www.thisisourhouse.org
Electro Techno · 1h 09m · analysed 20 Aug 2026
About this electro techno set
Helena Hauff - Birds and Other Instruments #3 - www.thisisourhouse.org is a electro techno DJ set by Helena Hauff, running 1h 09m. It was measured by the SOONOS multi-agent engine and scores 86/100 overall — festival ready.
The engine files this performance as “Promising”.
The DJ uses raw, analog textures not just as sound, but as a primary narrative tool to build and release industrial pressure.
How the score breaks down
SOONOS scores this set across 5 weighted categories. The strongest is IDENTITY at 95/100; the weakest is SURPRISE at 82/100.
The final score is capped by measured -: the DSP layer overrides the listening layer whenever it measures an execution issue directly in the audio.
Analysis coverage for this file is 100% — the share of the set the engine could measure with full confidence.
Energy and structure
The energy curve was sampled at 24 points, moving between 65 and 92 on the SOONOS energy scale — a moderate dynamic range across the set.
8 transitions were detected and scored individually.
Beat-grid measurement (DSP) reports 165.8 grid breaks per hour, with a median beat offset of 19 ms.
Full SOONOS analysis
The DJ uses raw, analog textures not just as sound, but as a primary narrative tool to build and release industrial pressure.
The 8 dimensions
Score breakdown
TECHNIQUE
How well did you execute?
25%86
TECHNIQUE
How well did you execute?
STORYTELLING
Did the mix go somewhere?
25%92
STORYTELLING
Did the mix go somewhere?
ENERGY
Did you control the room?
20%84
ENERGY
Did you control the room?
SURPRISE
Did you remain unpredictable?
15%82
SURPRISE
Did you remain unpredictable?
IDENTITY
Did the mix sound like you?
15%95
IDENTITY
Did the mix sound like you?
Final score capped by measured execution (-) — weighted average was 88.
Energy arc
Transitions analysed (8)
Vinyl blend with manual correction
Audible micro-drift during the blend, but the vibe remains intact.
Long EQ blend with high-pass filter
Perfectly executed transition, building tension through filtering.
Aggressive EQ swap on the downbeat
Bold cut that maintains the relentless energy of the set.
Perfect Blend
Minor Phase Drift
strategic_disruption
EQ Masterstroke
Perfect Blend
Minor Drift
strategic_disruption
Technical subscores
83
EQ balance
80
Beat alignment
89
Energy control
85
Tempo stability
85
Loudness control
92
Musical coherence
78
Harmonic compatibility
80
Transition cleanliness
Measured (DSP)
18.8 ms
Beat-grid drift (median)
54.8 ms
Drift p95
4,127
Boundaries detected
14
Hard cuts / h
2559
Clipping events
334
Level jumps
Measurement confidence 100% · analysed on the full audio.
Recurring patterns
Long static loops (5×)
Sections sitting on the same loop without layering, EQ moves or tension shifts (10:00, 14:30, 42:30, 46:00, 54:00). Long loops kill dancefloor momentum.
What SOONOS heard
- Exceptional groove continuity
- Strong artistic identity
- Masterful layering of complex textures
Timeline
- 5:20Tension Peak
- 2:05Vinyl Drift
Coaching notes
- Continue exploring the intersection of industrial noise and driving techno rhythms.
- Experiment with more extreme analog filter sweeps to enhance textural drama.
- Maintain the raw, vinyl-centric mixing style as it defines your artistic identity.
Curious how your own set scores?
Questions about this analysis
- What score does Helena Hauff's Helena Hauff - Birds and Other Instruments #3 - www.thisisourhouse.org get?
- Helena Hauff - Birds and Other Instruments #3 - www.thisisourhouse.org scores 86/100 in the SOONOS Mix Database (festival ready), based on audio measurement plus multi-agent listening.
- How long is Helena Hauff - Birds and Other Instruments #3 - www.thisisourhouse.org?
- The analysed recording runs 1h 09m.
- Which part of the mix scores best?
- IDENTITY is the strongest category at 95/100, while SURPRISE is the lowest at 82/100.
- How is this score calculated?
- SOONOS measures the audio with a DSP pass (beat grid, loudness, tempo, energy) and runs a multi-agent listening pass on top. Measured axes always override the listening layer, so an execution issue heard in the file caps the final score.
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