HAAi — TOM HAAI - GALERIA DE ARTES - 24/04/25 (Zara House)
Indie House · 1h 03m · analysed 23 Aug 2026 · source: soundcloud.com
Public mix analysis — no affiliation or endorsement. This report measures a publicly available recording hosted on soundcloud.com. The scores are produced by SOONOS and do not imply any partnership with, or approval by, HAAi.
In short
TOM HAAI - GALERIA DE ARTES - 24/04/25 (Zara House) by HAAi scores 66/100 in the SOONOS analysis (developing). The strongest dimension is TECHNIQUE (79/100) and the weakest is SURPRISE (61/100).
This DJ understands the power of a consistent kick and how to use it to hypnotize a dancefloor.
Key takeaways
What worked
- Technical precision
- Groove continuity
- Energy management
What weakened the set
- Recurring mid-frequency clash (3×) — Mid-range buildup muddies the soundstage and washes out vocals/synths during transitions. Detected 3× (06:22, 09:05, 19:28).
- Long static loops (4×) — Sections sitting on the same loop without layering, EQ moves or tension shifts (31:00, 42:00, 48:00, 52:00). Long loops kill dancefloor momentum.
What to try next
- Work on creating a more definitive narrative conclusion to your sets.
- Introduce more melodic or atmospheric elements to break up long percussive plateaus.
- Experiment with more creative transition techniques, such as loop-based layering or dramatic filter cuts.
- Ensure that the final track provides a clear emotional resolution for the listener.
Timestamped insights
Each moment below is tagged with how it was produced: “measured” comes from the DSP pass on the audio, “listening” comes from the multi-agent listening pass.
Smooth transition focusing on the low-end handover. The groove remains uninterrupted.
Effective use of layering to transition. The energy handoff is well-timed.
The incoming vocal layer clashes slightly with the outgoing track's mid-range synth.
Very smooth transition, tracks are perfectly phase-aligned.
Effective use of the breakdown to switch tracks, though slightly predictable.
About this indie house set
TOM HAAI - GALERIA DE ARTES - 24/04/25 (Zara House) is a indie house DJ set by HAAi, running 1h 03m. It was measured by the SOONOS multi-agent engine and scores 66/100 overall — developing.
The engine files this performance as “Promising”.
This DJ understands the power of a consistent kick and how to use it to hypnotize a dancefloor.
How the score breaks down
SOONOS scores this set across 5 weighted categories. The strongest is TECHNIQUE at 79/100; the weakest is SURPRISE at 61/100.
Analysis coverage for this file is 100% — the share of the set the engine could measure with full confidence.
Energy and structure
The energy curve was sampled at 29 points, moving between 60 and 85 on the SOONOS energy scale — a moderate dynamic range across the set.
8 transitions were detected and scored individually.
Beat-grid measurement (DSP) reports 244.9 grid breaks per hour, with a median beat offset of 20 ms.
How this score is built
Measured layer (DSP): the audio file is analysed directly — beat grid, tempo stability, loudness and energy. These values are measurements, not opinions.
Listening layer: a multi-agent pass reads musical intent — programming, storytelling, coherence and crowd effect. This layer interprets, it does not measure.
Fusion and ceilings: the two layers are merged, and the measured layer always wins on execution. When the DSP hears an execution problem, it caps the final score even if the listening layer is positive.
Measured coverage for this file is 100% of the set.
Full SOONOS analysis
This DJ understands the power of a consistent kick and how to use it to hypnotize a dancefloor.
The 8 dimensions
Not available — the 8-dimension profile was not measured for this set.
Score breakdown
TECHNIQUE
How well did you execute?
25%79
TECHNIQUE
How well did you execute?
STORYTELLING
Did the mix go somewhere?
25%70
STORYTELLING
Did the mix go somewhere?
ENERGY
Did you control the room?
20%68
ENERGY
Did you control the room?
SURPRISE
Did you remain unpredictable?
15%61
SURPRISE
Did you remain unpredictable?
IDENTITY
Did the mix sound like you?
15%73
IDENTITY
Did the mix sound like you?
Energy arc
Transitions analysed (8)
Long EQ blend
Smooth transition focusing on the low-end handover. The groove remains uninterrupted.
Percussive layering
Effective use of layering to transition. The energy handoff is well-timed.
Vocal overlay
The incoming vocal layer clashes slightly with the outgoing track's mid-range synth.
Long EQ blend with low-end handover
Very smooth transition, tracks are perfectly phase-aligned.
Mid-frequency swap during breakdown
Effective use of the breakdown to switch tracks, though slightly predictable.
Perfect Blend
Minor EQ Overlap
Seamless Phrasing
Technical subscores
78
EQ balance
85
Beat alignment
73
Energy control
88
Tempo stability
79
Loudness control
76
Musical coherence
76
Harmonic compatibility
81
Transition cleanliness
Measured (DSP)
20 ms
Beat-grid drift (median)
Typical gap between the two tracks' beats while they play together. Lower is tighter.
158 ms
Drift p95
Worst-case drift: 95% of the set stays tighter than this value.
3,735
Boundaries detected
Points where the audio changes track or section.
141
Hard cuts / h
Abrupt track changes per hour, with no blend between the two records.
34
Clipping events
Moments where the recording hits the ceiling and distorts.
338
Level jumps
Sudden volume steps between tracks.
Measurement confidence 100% · analysed on the full audio.
Recurring patterns
Recurring mid-frequency clash
Mid-range buildup muddies the soundstage and washes out vocals/synths during transitions. Detected 3× (06:22, 09:05, 19:28).
Long static loops (4×)
Sections sitting on the same loop without layering, EQ moves or tension shifts (31:00, 42:00, 48:00, 52:00). Long loops kill dancefloor momentum.
What SOONOS heard
- Technical precision
- Groove continuity
- Energy management
Timeline
- 01:30Groove Lock
- 09:10Harmonic Tension
- 09:05Risky pressure or vibe dip
Coaching notes
- Work on creating a more definitive narrative conclusion to your sets.
- Introduce more melodic or atmospheric elements to break up long percussive plateaus.
- Experiment with more creative transition techniques, such as loop-based layering or dramatic filter cuts.
- Ensure that the final track provides a clear emotional resolution for the listener.
Curious how your own set scores?
Methodology and limitations
This report is produced automatically from the published recording. It measures what is present in the audio file: a bad source encoding, a partial upload or a heavily processed broadcast version can change the measured values. Nothing here reflects the room, the crowd or the night itself.
Read the full SOONOS methodology →Questions about this analysis
- What score does HAAi's TOM HAAI - GALERIA DE ARTES - 24/04/25 (Zara House) get?
- TOM HAAI - GALERIA DE ARTES - 24/04/25 (Zara House) scores 66/100 in the SOONOS Mix Database (developing), based on audio measurement plus multi-agent listening.
- How long is TOM HAAI - GALERIA DE ARTES - 24/04/25 (Zara House)?
- The analysed recording runs 1h 03m.
- Which part of the mix scores best?
- TECHNIQUE is the strongest category at 79/100, while SURPRISE is the lowest at 61/100.
- How is this score calculated?
- SOONOS measures the audio with a DSP pass (beat grid, loudness, tempo, energy) and runs a multi-agent listening pass on top. Measured axes always override the listening layer, so an execution issue heard in the file caps the final score.
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Test how a set like this one would land in a club, a beach club or a festival.
Get the same breakdown on your own set: transitions, energy arc and measured execution.
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