Four TetReturn to Plastic People (September 2010) AKA FACT mix 182

    Indie House · 1h 03m · analysed 19 Aug 2026

    Overall score
    83/100
    Level
    club ready
    Duration
    1h 03m
    Genre
    Indie House

    About this indie house set

    Return to Plastic People (September 2010) AKA FACT mix 182 is a indie house DJ set by Four Tet, running 1h 03m. It was measured by the SOONOS multi-agent engine and scores 83/100 overall — club ready.

    The engine files this performance as “Promising”.

    This mix is a reminder that energy is often more effective when it is felt through the groove rather than heard through the volume.

    How the score breaks down

    SOONOS scores this set across 5 weighted categories. The strongest is IDENTITY at 91/100; the weakest is SURPRISE at 79/100.

    The final score is capped by measured -: the DSP layer overrides the listening layer whenever it measures an execution issue directly in the audio.

    Analysis coverage for this file is 100% — the share of the set the engine could measure with full confidence.

    Energy and structure

    The energy curve was sampled at 30 points, moving between 20 and 86 on the SOONOS energy scale — a wide dynamic range across the set.

    7 transitions were detected and scored individually.

    Beat-grid measurement (DSP) reports 483.2 grid breaks per hour, with a median beat offset of 20 ms.

    Listen to the original set

    Full SOONOS analysis

    TECSELNRGCRWHRMGRVCRESIG
    0

    This mix is a reminder that energy is often more effective when it is felt through the groove rather than heard through the volume.

    The 8 dimensions

    Technical precision0
    Track selection0
    Energy arc0
    Crowd control0
    Harmonic depth0
    Groove patience0
    Creativity0
    Signature0

    Score breakdown

    TECHNIQUE

    How well did you execute?

    25%85
    Beat Alignmentmeasured81
    Transition Qualitymeasured84
    Phrase Accuracymeasured89
    EQ & Frequency Control (estimated)measured86
    Tempo Stability (estimated)measured88
    Technical Cleanlinessmeasured80

    STORYTELLING

    Did the mix go somewhere?

    25%87
    Narrative ArcAI91
    ProgressionAI86
    Tension & ReleaseAI85
    Section AwarenessAI87
    Flow ContinuityAI91
    PayoffAI81

    ENERGY

    Did you control the room?

    20%82
    Energy Curvemeasured83
    PacingAI92
    MomentumAI88
    Peak ManagementAI84
    Energy HandoffAI85
    Fatigue ControlAI36

    SURPRISE

    Did you remain unpredictable?

    15%79
    Unexpected MomentsAI80
    ContrastAI83
    Transition Varietymeasured91
    Selection RiskAI80
    FreshnessAI42
    Surprise ControlAI80

    IDENTITY

    Did the mix sound like you?

    15%91
    Selection QualityAI90
    Identity ConsistencyAI94
    IntentionalityAI92
    ConfidenceAI89
    RestraintAI92
    SignatureAI89

    Final score capped by measured execution (-) — weighted average was 85.

    Energy arc

    0:0062:00

    Transitions analysed (7)

    3:05

    Long EQ blend, low-end swap at 3:37

    A very patient blend that respects the phrasing of both tracks. The low-end handover is seamless.

    85
    6:52

    Percussive layering with mid-frequency focus

    The DJ uses the percussive elements of the new track to build energy before fully committing to the new groove.

    78
    11:15

    Long EQ blend

    Seamless integration of new percussive elements.

    94
    18:45

    Bass swap on phrase

    Clean handover of the low-end frequencies.

    90
    21:50

    Perfect Blend

    100
    25:50

    Seamless Handover

    100
    29:45

    Minor EQ Overlap

    strategic_disruption

    82

    Technical subscores

    86

    EQ balance

    88

    Beat alignment

    83

    Energy control

    88

    Tempo stability

    81

    Loudness control

    91

    Musical coherence

    89

    Harmonic compatibility

    86

    Transition cleanliness

    Measured (DSP)

    20.2 ms

    Beat-grid drift (median)

    199.4 ms

    Drift p95

    3,741

    Boundaries detected

    19

    Hard cuts / h

    173

    Clipping events

    396

    Level jumps

    Measurement confidence 100% · analysed on the full audio.

    Recurring patterns

    • Long static loops (6×)

      Sections sitting on the same loop without layering, EQ moves or tension shifts (3:37, 12:00, 31:00, 42:00, 48:00, 52:00). Long loops kill dancefloor momentum.

    What SOONOS heard

    • Exceptional track selection and tonal consistency.
    • Professional management of vinyl format characteristics.
    • Masterful use of long, enriching blends.

    Timeline

    • 3:37The Lock-In
    • 9:48Vinyl Drift Correction
    • 14:20Groove Lock
    • 19:50Atmospheric Shift

    Coaching notes

    • Introduce more melodic variation to enhance emotional engagement.
    • Experiment with brief silences or breakdowns to create more dynamic contrast.
    • Utilize filter sweeps to add movement to static loops.
    • Continue to explore cross-cultural melodic textures to enhance narrative depth.
    • Experiment with subtle rhythmic pulses during long breakdowns to maintain physical engagement.
    • Maintain the high level of technical precision in EQ management during complex layering.
    Listen on SoundCloud

    Curious how your own set scores?

    Questions about this analysis

    What score does Four Tet's Return to Plastic People (September 2010) AKA FACT mix 182 get?
    Return to Plastic People (September 2010) AKA FACT mix 182 scores 83/100 in the SOONOS Mix Database (club ready), based on audio measurement plus multi-agent listening.
    How long is Return to Plastic People (September 2010) AKA FACT mix 182?
    The analysed recording runs 1h 03m.
    Which part of the mix scores best?
    IDENTITY is the strongest category at 91/100, while SURPRISE is the lowest at 79/100.
    How is this score calculated?
    SOONOS measures the audio with a DSP pass (beat grid, loudness, tempo, energy) and runs a multi-agent listening pass on top. Measured axes always override the listening layer, so an execution issue heard in the file caps the final score.

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