Wreckno — Wreckno Radio Mix By C - Mac
Bass House · 1h 12m · analysed 26 Aug 2026 · source: soundcloud.com
Public mix analysis — no affiliation or endorsement. This report measures a publicly available recording hosted on soundcloud.com. The scores are produced by SOONOS and do not imply any partnership with, or approval by, Wreckno.
In short
Wreckno Radio Mix By C - Mac by Wreckno scores 68/100 in the SOONOS analysis (developing). The strongest dimension is TECHNIQUE (82/100) and the weakest is SURPRISE (67/100).
The DJ uses spoken word as a narrative glue, turning a standard tech-house set into a more deliberate story.
Key takeaways
What worked
- Technical beatmatching
- Thematic consistency
- Low-end energy
What weakened the set
- Recurring mid-frequency clash (3×) — Mid-range buildup muddies the soundstage and washes out vocals/synths during transitions. Detected 3× (7:00, 10:45, 17:20).
- Repeated volume jumps (3×) — Gain-staging mismatches break perceived continuity and force the crowd to readjust. Detected 3× (7:00, 10:45, 21:50).
- Repeated key clashes (2×) — Mismatched keys produce dissonance that drains energy from the floor. Detected 2× (10:45, 21:50).
- Recurring phase misalignment (2×) — Beats drifting out of phase produce flammed kicks that read as sloppy. Detected 2× (10:45, 21:50).
What to try next
- Incorporate more melodic elements in the final 10 minutes to provide a narrative resolution.
- Experiment with 'echo-out' or 'delay' effects during transitions to add atmospheric depth.
- Vary the transition lengths; while long blends work well, a few sharp cuts could increase energy spikes.
Timestamped insights
Each moment below is tagged with how it was produced: “measured” comes from the DSP pass on the audio, “listening” comes from the multi-agent listening pass.
Smooth transition, the percussive elements overlap perfectly without phasing.
The energy jumps slightly too fast, creating a minor vibe zap.
Audible EQ clash in the mid-range as two vocal elements fight for space.
Smooth transition, well-phased and beat-matched.
Effective layering of percussive elements, though slightly crowded in the mids.
Slight energy dip during the transition, recovery takes a few bars.
About this bass house set
Wreckno Radio Mix By C - Mac is a bass house DJ set by Wreckno, running 1h 12m. It was measured by the SOONOS multi-agent engine and scores 68/100 overall — developing.
The engine files this performance as “Promising”.
The DJ uses spoken word as a narrative glue, turning a standard tech-house set into a more deliberate story.
How the score breaks down
SOONOS scores this set across 5 weighted categories. The strongest is TECHNIQUE at 82/100; the weakest is SURPRISE at 67/100.
Analysis coverage for this file is 100% — the share of the set the engine could measure with full confidence.
Energy and structure
The energy curve was sampled at 20 points, moving between 30 and 86 on the SOONOS energy scale — a wide dynamic range across the set.
8 transitions were detected and scored individually.
Beat-grid measurement (DSP) reports 684.2 grid breaks per hour, with a median beat offset of 18 ms.
How this score is built
Measured layer (DSP): the audio file is analysed directly — beat grid, tempo stability, loudness and energy. These values are measurements, not opinions.
Listening layer: a multi-agent pass reads musical intent — programming, storytelling, coherence and crowd effect. This layer interprets, it does not measure.
Fusion and ceilings: the two layers are merged, and the measured layer always wins on execution. When the DSP hears an execution problem, it caps the final score even if the listening layer is positive.
Measured coverage for this file is 100% of the set.
Full SOONOS analysis
The DJ uses spoken word as a narrative glue, turning a standard tech-house set into a more deliberate story.
The 8 dimensions
Not available — the 8-dimension profile was not measured for this set.
Score breakdown
TECHNIQUE
How well did you execute?
25%82
TECHNIQUE
How well did you execute?
STORYTELLING
Did the mix go somewhere?
25%73
STORYTELLING
Did the mix go somewhere?
ENERGY
Did you control the room?
20%69
ENERGY
Did you control the room?
SURPRISE
Did you remain unpredictable?
15%67
SURPRISE
Did you remain unpredictable?
IDENTITY
Did the mix sound like you?
15%75
IDENTITY
Did the mix sound like you?
Energy arc
Transitions analysed (8)
Long EQ blend with low-end swap
Smooth transition, the percussive elements overlap perfectly without phasing.
Quick mid-phrase swap
The energy jumps slightly too fast, creating a minor vibe zap.
Overlapping vocal blend
Audible EQ clash in the mid-range as two vocal elements fight for space.
EQ blend with low-end swap
Smooth transition, well-phased and beat-matched.
Long blend with mid-range layering
Effective layering of percussive elements, though slightly crowded in the mids.
Quick cut on the drop
Slight energy dip during the transition, recovery takes a few bars.
Perfect Blend
Minor EQ Overlap
Technical subscores
80
EQ balance
86
Beat alignment
76
Energy control
88
Tempo stability
79
Loudness control
80
Musical coherence
76
Harmonic compatibility
82
Transition cleanliness
Measured (DSP)
18 ms
Beat-grid drift (median)
Typical gap between the two tracks' beats while they play together. Lower is tighter.
203 ms
Drift p95
Worst-case drift: 95% of the set stays tighter than this value.
4,305
Boundaries detected
Points where the audio changes track or section.
70
Hard cuts / h
Abrupt track changes per hour, with no blend between the two records.
0
Clipping events
Moments where the recording hits the ceiling and distorts.
192
Level jumps
Sudden volume steps between tracks.
Measurement confidence 100% · analysed on the full audio.
Recurring patterns
Recurring mid-frequency clash
Mid-range buildup muddies the soundstage and washes out vocals/synths during transitions. Detected 3× (7:00, 10:45, 17:20).
Repeated volume jumps
Gain-staging mismatches break perceived continuity and force the crowd to readjust. Detected 3× (7:00, 10:45, 21:50).
Repeated key clashes
Mismatched keys produce dissonance that drains energy from the floor. Detected 2× (10:45, 21:50).
Recurring phase misalignment
Beats drifting out of phase produce flammed kicks that read as sloppy. Detected 2× (10:45, 21:50).
Slow recovery after transitions
Long perceptual recovery means the energy line dips on every blend. Detected 2× (7:00, 10:45).
Long static loops (1×)
Sections sitting on the same loop without layering, EQ moves or tension shifts (4:30). Long loops kill dancefloor momentum.
What SOONOS heard
- Technical beatmatching
- Thematic consistency
- Low-end energy
Timeline
- 0:45Atmospheric Hook
- 5:30Energy Plateau
- 11:15Vocal Mud
- 7:00Risky pressure or vibe dip
- 10:45Transition / momentum break
- 15:30Groove Lock
- 22:10Energy Sag
- 21:50Risky pressure or vibe dip
Coaching notes
- Incorporate more melodic elements in the final 10 minutes to provide a narrative resolution.
- Experiment with 'echo-out' or 'delay' effects during transitions to add atmospheric depth.
- Vary the transition lengths; while long blends work well, a few sharp cuts could increase energy spikes.
Curious how your own set scores?
Methodology and limitations
This report is produced automatically from the published recording. It measures what is present in the audio file: a bad source encoding, a partial upload or a heavily processed broadcast version can change the measured values. Nothing here reflects the room, the crowd or the night itself.
Read the full SOONOS methodology →Questions about this analysis
- What score does Wreckno's Wreckno Radio Mix By C - Mac get?
- Wreckno Radio Mix By C - Mac scores 68/100 in the SOONOS Mix Database (developing), based on audio measurement plus multi-agent listening.
- How long is Wreckno Radio Mix By C - Mac?
- The analysed recording runs 1h 12m.
- Which part of the mix scores best?
- TECHNIQUE is the strongest category at 82/100, while SURPRISE is the lowest at 67/100.
- How is this score calculated?
- SOONOS measures the audio with a DSP pass (beat grid, loudness, tempo, energy) and runs a multi-agent listening pass on top. Measured axes always override the listening layer, so an execution issue heard in the file caps the final score.
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- Wreckno Sound Side 171
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Test how a set like this one would land in a club, a beach club or a festival.
Get the same breakdown on your own set: transitions, energy arc and measured execution.
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