Trampa — Live Set Ni por Q hagan Trampa Es 23 Enero y Brisa de lago En esa vaina los 🥷🏻💫®️ Negritos Mañamero 🆖🏴☠️🚂🐺
Dubstep · 1h 23m · analysed 25 Aug 2026 · source: soundcloud.com
Public mix analysis — no affiliation or endorsement. This report measures a publicly available recording hosted on soundcloud.com. The scores are produced by SOONOS and do not imply any partnership with, or approval by, Trampa.
In short
Live Set Ni por Q hagan Trampa Es 23 Enero y Brisa de lago En esa vaina los 🥷🏻💫®️ Negritos Mañamero 🆖🏴☠️🚂🐺 by Trampa scores 64/100 in the SOONOS analysis (developing). The strongest dimension is TECHNIQUE (81/100) and the weakest is SURPRISE (63/100).
Technical proficiency is high, but the set would benefit from 'breathing room' to make the peaks feel more earned.
Key takeaways
What weakened the set
- Recurring mid-frequency clash (2×) — Mid-range buildup muddies the soundstage and washes out vocals/synths during transitions. Detected 2× (5:48, 27:42).
- Repeated volume jumps (3×) — Gain-staging mismatches break perceived continuity and force the crowd to readjust. Detected 3× (5:48, 18:45, 27:42).
- Slow recovery after transitions (2×) — Long perceptual recovery means the energy line dips on every blend. Detected 2× (18:45, 27:42).
- Long static loops (6×) — Sections sitting on the same loop without layering, EQ moves or tension shifts (6:00, 12:00, 22:00, 35:00, 40:45, 47:00). Long loops kill dancefloor momentum.
What to try next
- Incorporate more melodic elements to add emotional depth.
- Use filter sweeps and FX to create more movement during energy plateaus.
- Plan transitions between contrasting vibes more carefully to avoid jarring shifts.
Timestamped insights
Each moment below is tagged with how it was produced: “measured” comes from the DSP pass on the audio, “listening” comes from the multi-agent listening pass.
Smooth transition into the 'I'm just glad I chose to' vocal track. Phrasing is solid.
The mid-range frequencies become slightly cluttered as the new percussion loop enters.
Smooth transition with well-timed low-end swap.
Abrupt low-end handover causes a slight energy dip.
Audible level jump and mid-range clash during the handover.
About this dubstep set
Live Set Ni por Q hagan Trampa Es 23 Enero y Brisa de lago En esa vaina los 🥷🏻💫®️ Negritos Mañamero 🆖🏴☠️🚂🐺 is a dubstep DJ set by Trampa, running 1h 23m. It was measured by the SOONOS multi-agent engine and scores 64/100 overall — developing.
The engine files this performance as “Promising”.
Technical proficiency is high, but the set would benefit from 'breathing room' to make the peaks feel more earned.
How the score breaks down
SOONOS scores this set across 5 weighted categories. The strongest is TECHNIQUE at 81/100; the weakest is SURPRISE at 63/100.
Analysis coverage for this file is 100% — the share of the set the engine could measure with full confidence.
Energy and structure
The energy curve was sampled at 26 points, moving between 65 and 85 on the SOONOS energy scale — a moderate dynamic range across the set.
5 transitions were detected and scored individually.
Beat-grid measurement (DSP) reports 263.3 grid breaks per hour, with a median beat offset of 23 ms.
How this score is built
Measured layer (DSP): the audio file is analysed directly — beat grid, tempo stability, loudness and energy. These values are measurements, not opinions.
Listening layer: a multi-agent pass reads musical intent — programming, storytelling, coherence and crowd effect. This layer interprets, it does not measure.
Fusion and ceilings: the two layers are merged, and the measured layer always wins on execution. When the DSP hears an execution problem, it caps the final score even if the listening layer is positive.
Measured coverage for this file is 100% of the set.
Full SOONOS analysis
Technical proficiency is high, but the set would benefit from 'breathing room' to make the peaks feel more earned.
The 8 dimensions
Not available — the 8-dimension profile was not measured for this set.
Score breakdown
TECHNIQUE
How well did you execute?
25%81
TECHNIQUE
How well did you execute?
STORYTELLING
Did the mix go somewhere?
25%70
STORYTELLING
Did the mix go somewhere?
ENERGY
Did you control the room?
20%67
ENERGY
Did you control the room?
SURPRISE
Did you remain unpredictable?
15%63
SURPRISE
Did you remain unpredictable?
IDENTITY
Did the mix sound like you?
15%72
IDENTITY
Did the mix sound like you?
Energy arc
Transitions analysed (5)
Percussive blend with vocal introduction
Smooth transition into the 'I'm just glad I chose to' vocal track. Phrasing is solid.
Long percussive overlap
The mid-range frequencies become slightly cluttered as the new percussion loop enters.
16-bar EQ blend
Smooth transition with well-timed low-end swap.
Quick EQ swap
Abrupt low-end handover causes a slight energy dip.
Quick EQ swap
Audible level jump and mid-range clash during the handover.
Technical subscores
72
EQ balance
82
Beat alignment
72
Energy control
85
Tempo stability
72
Loudness control
70
Musical coherence
69
Harmonic compatibility
74
Transition cleanliness
Measured (DSP)
23 ms
Beat-grid drift (median)
Typical gap between the two tracks' beats while they play together. Lower is tighter.
116 ms
Drift p95
Worst-case drift: 95% of the set stays tighter than this value.
4,951
Boundaries detected
Points where the audio changes track or section.
15
Hard cuts / h
Abrupt track changes per hour, with no blend between the two records.
1427
Clipping events
Moments where the recording hits the ceiling and distorts.
363
Level jumps
Sudden volume steps between tracks.
Measurement confidence 100% · analysed on the full audio.
Recurring patterns
Recurring mid-frequency clash
Mid-range buildup muddies the soundstage and washes out vocals/synths during transitions. Detected 2× (5:48, 27:42).
Repeated volume jumps
Gain-staging mismatches break perceived continuity and force the crowd to readjust. Detected 3× (5:48, 18:45, 27:42).
Slow recovery after transitions
Long perceptual recovery means the energy line dips on every blend. Detected 2× (18:45, 27:42).
Long static loops (6×)
Sections sitting on the same loop without layering, EQ moves or tension shifts (6:00, 12:00, 22:00, 35:00, 40:45, 47:00). Long loops kill dancefloor momentum.
Timeline
- 0:45Intro Energy Spike
- 7:30Energy Plateau
- 5:48Risky pressure or vibe dip
- 16:00Energy Plateau
- 21:30Groove Lock
- 18:45Risky pressure or vibe dip
- 27:42Risky pressure or vibe dip
Coaching notes
- Incorporate more melodic elements to add emotional depth.
- Use filter sweeps and FX to create more movement during energy plateaus.
- Plan transitions between contrasting vibes more carefully to avoid jarring shifts.
Curious how your own set scores?
Methodology and limitations
This report is produced automatically from the published recording. It measures what is present in the audio file: a bad source encoding, a partial upload or a heavily processed broadcast version can change the measured values. Nothing here reflects the room, the crowd or the night itself.
Read the full SOONOS methodology →Questions about this analysis
- What score does Trampa's Live Set Ni por Q hagan Trampa Es 23 Enero y Brisa de lago En esa vaina los 🥷🏻💫®️ Negritos Mañamero 🆖🏴☠️🚂🐺 get?
- Live Set Ni por Q hagan Trampa Es 23 Enero y Brisa de lago En esa vaina los 🥷🏻💫®️ Negritos Mañamero 🆖🏴☠️🚂🐺 scores 64/100 in the SOONOS Mix Database (developing), based on audio measurement plus multi-agent listening.
- How long is Live Set Ni por Q hagan Trampa Es 23 Enero y Brisa de lago En esa vaina los 🥷🏻💫®️ Negritos Mañamero 🆖🏴☠️🚂🐺?
- The analysed recording runs 1h 23m.
- Which part of the mix scores best?
- TECHNIQUE is the strongest category at 81/100, while SURPRISE is the lowest at 63/100.
- How is this score calculated?
- SOONOS measures the audio with a DSP pass (beat grid, loudness, tempo, energy) and runs a multi-agent listening pass on top. Measured axes always override the listening layer, so an execution issue heard in the file caps the final score.
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