Trampa — Live Set Ni por Q hagan Trampa Es 23 Enero y Brisa de lago En esa vaina los 🥷🏻💫®️ Negritos Mañamero 🆖🏴‍☠️🚂🐺

    Dubstep · 1h 23m · analysed 25 Aug 2026 · source: soundcloud.com

    Overall score
    64/100
    Level
    developing
    Duration
    1h 23m
    Genre
    Dubstep

    Public mix analysis — no affiliation or endorsement. This report measures a publicly available recording hosted on soundcloud.com. The scores are produced by SOONOS and do not imply any partnership with, or approval by, Trampa.

    In short

    Live Set Ni por Q hagan Trampa Es 23 Enero y Brisa de lago En esa vaina los 🥷🏻💫®️ Negritos Mañamero 🆖🏴‍☠️🚂🐺 by Trampa scores 64/100 in the SOONOS analysis (developing). The strongest dimension is TECHNIQUE (81/100) and the weakest is SURPRISE (63/100).

    Technical proficiency is high, but the set would benefit from 'breathing room' to make the peaks feel more earned.

    Key takeaways

    What weakened the set

    • Recurring mid-frequency clash (2×) — Mid-range buildup muddies the soundstage and washes out vocals/synths during transitions. Detected 2× (5:48, 27:42).
    • Repeated volume jumps (3×) — Gain-staging mismatches break perceived continuity and force the crowd to readjust. Detected 3× (5:48, 18:45, 27:42).
    • Slow recovery after transitions (2×) — Long perceptual recovery means the energy line dips on every blend. Detected 2× (18:45, 27:42).
    • Long static loops (6×) — Sections sitting on the same loop without layering, EQ moves or tension shifts (6:00, 12:00, 22:00, 35:00, 40:45, 47:00). Long loops kill dancefloor momentum.

    What to try next

    • Incorporate more melodic elements to add emotional depth.
    • Use filter sweeps and FX to create more movement during energy plateaus.
    • Plan transitions between contrasting vibes more carefully to avoid jarring shifts.

    Timestamped insights

    Each moment below is tagged with how it was produced: “measured” comes from the DSP pass on the audio, “listening” comes from the multi-agent listening pass.

    • 2:12Measured (DSP)78/100Listen at 2:12

      Smooth transition into the 'I'm just glad I chose to' vocal track. Phrasing is solid.

    • 5:48Measured (DSP)62/100Listen at 5:48

      The mid-range frequencies become slightly cluttered as the new percussion loop enters.

    • 14:25Measured (DSP)82/100Listen at 14:25

      Smooth transition with well-timed low-end swap.

    • 18:45Measured (DSP)65/100Listen at 18:45

      Abrupt low-end handover causes a slight energy dip.

    • 27:42Measured (DSP)55/100Listen at 27:42

      Audible level jump and mid-range clash during the handover.

    About this dubstep set

    Live Set Ni por Q hagan Trampa Es 23 Enero y Brisa de lago En esa vaina los 🥷🏻💫®️ Negritos Mañamero 🆖🏴‍☠️🚂🐺 is a dubstep DJ set by Trampa, running 1h 23m. It was measured by the SOONOS multi-agent engine and scores 64/100 overall — developing.

    The engine files this performance as “Promising”.

    Technical proficiency is high, but the set would benefit from 'breathing room' to make the peaks feel more earned.

    How the score breaks down

    SOONOS scores this set across 5 weighted categories. The strongest is TECHNIQUE at 81/100; the weakest is SURPRISE at 63/100.

    Analysis coverage for this file is 100% — the share of the set the engine could measure with full confidence.

    Energy and structure

    The energy curve was sampled at 26 points, moving between 65 and 85 on the SOONOS energy scale — a moderate dynamic range across the set.

    5 transitions were detected and scored individually.

    Beat-grid measurement (DSP) reports 263.3 grid breaks per hour, with a median beat offset of 23 ms.

    How this score is built

    Measured layer (DSP): the audio file is analysed directly — beat grid, tempo stability, loudness and energy. These values are measurements, not opinions.

    Listening layer: a multi-agent pass reads musical intent — programming, storytelling, coherence and crowd effect. This layer interprets, it does not measure.

    Fusion and ceilings: the two layers are merged, and the measured layer always wins on execution. When the DSP hears an execution problem, it caps the final score even if the listening layer is positive.

    Measured coverage for this file is 100% of the set.

    Listen to the original set

    Full SOONOS analysis

    0

    Technical proficiency is high, but the set would benefit from 'breathing room' to make the peaks feel more earned.

    The 8 dimensions

    Not available — the 8-dimension profile was not measured for this set.

    Score breakdown

    TECHNIQUE

    How well did you execute?

    25%81
    Beat Alignmentmeasured77
    Transition Qualitymeasured90
    Phrase Accuracymeasured76
    EQ & Frequency Control (estimated)measured72
    Tempo Stability (estimated)measured85
    Technical Cleanlinessmeasured85

    STORYTELLING

    Did the mix go somewhere?

    25%70
    Narrative ArcAI70
    ProgressionAI69
    Tension & ReleaseAI64
    Section AwarenessAI71
    Flow ContinuityAI76
    PayoffAI74

    ENERGY

    Did you control the room?

    20%67
    Energy Curvemeasured62
    PacingAI64
    MomentumAI82
    Peak ManagementAI69
    Energy HandoffAI72
    Fatigue ControlAI49

    SURPRISE

    Did you remain unpredictable?

    15%63
    Unexpected MomentsAI64
    ContrastAI59
    Transition Varietymeasured78
    Selection RiskAI54
    FreshnessAI47
    Surprise ControlAI64

    IDENTITY

    Did the mix sound like you?

    15%72
    Selection QualityAI70
    Identity ConsistencyAI87
    IntentionalityAI68
    ConfidenceAI77
    RestraintAI60
    SignatureAI62

    Energy arc

    0:0058:00

    Transitions analysed (5)

    2:12

    Percussive blend with vocal introduction

    Smooth transition into the 'I'm just glad I chose to' vocal track. Phrasing is solid.

    78
    5:48

    Long percussive overlap

    The mid-range frequencies become slightly cluttered as the new percussion loop enters.

    62
    14:25

    16-bar EQ blend

    Smooth transition with well-timed low-end swap.

    82
    18:45

    Quick EQ swap

    Abrupt low-end handover causes a slight energy dip.

    65
    27:42

    Quick EQ swap

    Audible level jump and mid-range clash during the handover.

    55

    Technical subscores

    72

    EQ balance

    82

    Beat alignment

    72

    Energy control

    85

    Tempo stability

    72

    Loudness control

    70

    Musical coherence

    69

    Harmonic compatibility

    74

    Transition cleanliness

    Measured (DSP)

    23 ms

    Beat-grid drift (median)

    Typical gap between the two tracks' beats while they play together. Lower is tighter.

    116 ms

    Drift p95

    Worst-case drift: 95% of the set stays tighter than this value.

    4,951

    Boundaries detected

    Points where the audio changes track or section.

    15

    Hard cuts / h

    Abrupt track changes per hour, with no blend between the two records.

    1427

    Clipping events

    Moments where the recording hits the ceiling and distorts.

    363

    Level jumps

    Sudden volume steps between tracks.

    Measurement confidence 100% · analysed on the full audio.

    Recurring patterns

    • Recurring mid-frequency clash

      Mid-range buildup muddies the soundstage and washes out vocals/synths during transitions. Detected 2× (5:48, 27:42).

    • Repeated volume jumps

      Gain-staging mismatches break perceived continuity and force the crowd to readjust. Detected 3× (5:48, 18:45, 27:42).

    • Slow recovery after transitions

      Long perceptual recovery means the energy line dips on every blend. Detected 2× (18:45, 27:42).

    • Long static loops (6×)

      Sections sitting on the same loop without layering, EQ moves or tension shifts (6:00, 12:00, 22:00, 35:00, 40:45, 47:00). Long loops kill dancefloor momentum.

    Timeline

    • 0:45Intro Energy Spike
    • 7:30Energy Plateau
    • 5:48Risky pressure or vibe dip
    • 16:00Energy Plateau
    • 21:30Groove Lock
    • 18:45Risky pressure or vibe dip
    • 27:42Risky pressure or vibe dip

    Coaching notes

    • Incorporate more melodic elements to add emotional depth.
    • Use filter sweeps and FX to create more movement during energy plateaus.
    • Plan transitions between contrasting vibes more carefully to avoid jarring shifts.
    Listen on SoundCloud

    Curious how your own set scores?

    Methodology and limitations

    This report is produced automatically from the published recording. It measures what is present in the audio file: a bad source encoding, a partial upload or a heavily processed broadcast version can change the measured values. Nothing here reflects the room, the crowd or the night itself.

    Read the full SOONOS methodology →

    Questions about this analysis

    What score does Trampa's Live Set Ni por Q hagan Trampa Es 23 Enero y Brisa de lago En esa vaina los 🥷🏻💫®️ Negritos Mañamero 🆖🏴‍☠️🚂🐺 get?
    Live Set Ni por Q hagan Trampa Es 23 Enero y Brisa de lago En esa vaina los 🥷🏻💫®️ Negritos Mañamero 🆖🏴‍☠️🚂🐺 scores 64/100 in the SOONOS Mix Database (developing), based on audio measurement plus multi-agent listening.
    How long is Live Set Ni por Q hagan Trampa Es 23 Enero y Brisa de lago En esa vaina los 🥷🏻💫®️ Negritos Mañamero 🆖🏴‍☠️🚂🐺?
    The analysed recording runs 1h 23m.
    Which part of the mix scores best?
    TECHNIQUE is the strongest category at 81/100, while SURPRISE is the lowest at 63/100.
    How is this score calculated?
    SOONOS measures the audio with a DSP pass (beat grid, loudness, tempo, energy) and runs a multi-agent listening pass on top. Measured axes always override the listening layer, so an execution issue heard in the file caps the final score.

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