Todd Terry — Todd Terry - Clockwork Orange, 338 London March 2018
House · 2h 03m · analysed 19 Aug 2026
About this house set
Todd Terry - Clockwork Orange, 338 London March 2018 is a house DJ set by Todd Terry, running 2h 03m. It was measured by the SOONOS multi-agent engine and scores 85/100 overall — festival ready.
The engine files this performance as “Promising”.
The DJ's confidence and restraint allow the music to breathe while maintaining a relentless drive.
How the score breaks down
SOONOS scores this set across 5 weighted categories. The strongest is IDENTITY at 93/100; the weakest is SURPRISE at 82/100.
The final score is capped by measured -: the DSP layer overrides the listening layer whenever it measures an execution issue directly in the audio.
Analysis coverage for this file is 100% — the share of the set the engine could measure with full confidence.
Energy and structure
The energy curve was sampled at 62 points, moving between 40 and 95 on the SOONOS energy scale — a wide dynamic range across the set.
6 transitions were detected and scored individually.
Beat-grid measurement (DSP) reports 457.7 grid breaks per hour, with a median beat offset of 20 ms.
Full SOONOS analysis
The DJ's confidence and restraint allow the music to breathe while maintaining a relentless drive.
The 8 dimensions
Score breakdown
TECHNIQUE
How well did you execute?
25%84
TECHNIQUE
How well did you execute?
STORYTELLING
Did the mix go somewhere?
25%89
STORYTELLING
Did the mix go somewhere?
ENERGY
Did you control the room?
20%85
ENERGY
Did you control the room?
SURPRISE
Did you remain unpredictable?
15%82
SURPRISE
Did you remain unpredictable?
IDENTITY
Did the mix sound like you?
15%93
IDENTITY
Did the mix sound like you?
Final score capped by measured execution (-) — weighted average was 87.
Energy arc
Transitions analysed (6)
EQ blend with low-end swap
Smooth transition between vocal tracks, maintaining energy.
Long percussive blend
Excellent layering of drum patterns to bridge two tracks.
Long EQ blend with low-end swap
Perfectly executed transition, maintaining the energy of the kick while introducing new percussive elements.
Vocal loop layering and EQ swap
Smooth integration of the 'Come On' vocal loop over the existing groove.
Percussive layering with vocal tease
Expertly teased the incoming vocal over the existing groove, creating anticipation.
High-pass filter sweep and drop
Clean energy handoff using frequency isolation to clear space for the new kick.
Technical subscores
84
EQ balance
89
Beat alignment
88
Energy control
91
Tempo stability
86
Loudness control
88
Musical coherence
82
Harmonic compatibility
84
Transition cleanliness
Measured (DSP)
19.8 ms
Beat-grid drift (median)
218.8 ms
Drift p95
7,386
Boundaries detected
51
Hard cuts / h
47
Clipping events
269
Level jumps
Measurement confidence 100% · analysed on the full audio.
Recurring patterns
Long static loops (6×)
Sections sitting on the same loop without layering, EQ moves or tension shifts (8:00, 16:00, 22:00, 30:00, 34:00, 38:00). Long loops kill dancefloor momentum.
What SOONOS heard
- Masterful groove continuity
- Expert vocal layering
- High technical precision
- Selection
- Pacing
- Crowd Connection
Timeline
- 0:45Thematic Hook
- 5:30Groove Lock
- 18:45Vocal Hook Entry
- 20:30Rhythmic Scratching Layer
- 24:15Vocal Hook Entry
Coaching notes
- Maintain the excellent use of vocal loops as a narrative thread.
- Experiment with more dramatic EQ filtering to create tension before major vocal entries.
- Consider a brief 'reset' moment with a melodic breakdown to enhance the impact of the next driving section.
- Continue leveraging vocal samples to maintain human connection within heavy percussive sections.
- Experiment with longer, more atmospheric breakdowns to create higher contrast for the drops.
- Maintain the current high-standard of gain management during complex layering.
- Experiment with more diverse melodic textures to add depth to the narrative.
- Explore longer, more atmospheric builds to create even greater impact.
- Incorporate more unexpected elements to surprise and delight the audience.
- Continue to leverage classic house anthems at peak moments for maximum crowd impact.
- Experiment with more creative EQ work during long blends to add an extra layer of technical flair.
- Consider incorporating brief moments of lower intensity to make the subsequent peaks feel even more powerful.
- Experiment with more dramatic filter sweeps to create tension.
- Incorporate more live-sounding percussion to add organic warmth.
- Use brief moments of silence to reset the dancefloor's energy.
- Try layering two different vocal hooks for a unique mashup moment.
Curious how your own set scores?
Questions about this analysis
- What score does Todd Terry's Todd Terry - Clockwork Orange, 338 London March 2018 get?
- Todd Terry - Clockwork Orange, 338 London March 2018 scores 85/100 in the SOONOS Mix Database (festival ready), based on audio measurement plus multi-agent listening.
- How long is Todd Terry - Clockwork Orange, 338 London March 2018?
- The analysed recording runs 2h 03m.
- Which part of the mix scores best?
- IDENTITY is the strongest category at 93/100, while SURPRISE is the lowest at 82/100.
- How is this score calculated?
- SOONOS measures the audio with a DSP pass (beat grid, loudness, tempo, energy) and runs a multi-agent listening pass on top. Measured axes always override the listening layer, so an execution issue heard in the file caps the final score.
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