Superpitcher — i only listen to reggae vol.1 "GIRL OF DREAMS"
Indie House · 1h 02m · analysed 25 Aug 2026 · source: soundcloud.com
Public mix analysis — no affiliation or endorsement. This report measures a publicly available recording hosted on soundcloud.com. The scores are produced by SOONOS and do not imply any partnership with, or approval by, Superpitcher.
In short
i only listen to reggae vol.1 "GIRL OF DREAMS" by Superpitcher scores 68/100 in the SOONOS analysis (developing). The strongest dimension is IDENTITY (82/100) and the weakest is SURPRISE (69/100).
This DJ understands that in reggae, the space between the beats is as important as the beats themselves.
Key takeaways
What worked
- Exceptional thematic curation
- Phrase-perfect transitions
- Strong emotional narrative
What weakened the set
- Long static loops (6×) — Sections sitting on the same loop without layering, EQ moves or tension shifts (0:00, 8:00, 29:00, 31:00, 36:00, 43:00). Long loops kill dancefloor momentum.
What to try next
- Use dub-style delays on vocal snippets to enhance the dreamy atmosphere.
- Experiment with more dramatic low-end cuts to create impactful re-entries.
- Incorporate a slightly more uptempo track to provide a rhythmic contrast.
Timestamped insights
Each moment below is tagged with how it was produced: “measured” comes from the DSP pass on the audio, “listening” comes from the multi-agent listening pass.
Smooth transition between two similar riddims, maintaining the low-end pulse.
Excellent timing on the vocal handoff, feeling like a natural progression of the story.
Smooth transition, well-phrased and harmonically compatible.
A bit abrupt, slightly breaking the flow but not a major error.
Seamless transition where the incoming bassline takes over naturally.
Respectful blend that allows the outgoing vocal to echo out.
About this indie house set
i only listen to reggae vol.1 "GIRL OF DREAMS" is a indie house DJ set by Superpitcher, running 1h 02m. It was measured by the SOONOS multi-agent engine and scores 68/100 overall — developing.
The engine files this performance as “Promising”.
This DJ understands that in reggae, the space between the beats is as important as the beats themselves.
How the score breaks down
SOONOS scores this set across 5 weighted categories. The strongest is IDENTITY at 82/100; the weakest is SURPRISE at 69/100.
Analysis coverage for this file is 100% — the share of the set the engine could measure with full confidence.
Energy and structure
The energy curve was sampled at 39 points, moving between 50 and 76 on the SOONOS energy scale — a moderate dynamic range across the set.
6 transitions were detected and scored individually.
Beat-grid measurement (DSP) reports 718.8 grid breaks per hour, with a median beat offset of 26 ms.
How this score is built
Measured layer (DSP): the audio file is analysed directly — beat grid, tempo stability, loudness and energy. These values are measurements, not opinions.
Listening layer: a multi-agent pass reads musical intent — programming, storytelling, coherence and crowd effect. This layer interprets, it does not measure.
Fusion and ceilings: the two layers are merged, and the measured layer always wins on execution. When the DSP hears an execution problem, it caps the final score even if the listening layer is positive.
Measured coverage for this file is 100% of the set.
Full SOONOS analysis
This DJ understands that in reggae, the space between the beats is as important as the beats themselves.
The 8 dimensions
Not available — the 8-dimension profile was not measured for this set.
Score breakdown
TECHNIQUE
How well did you execute?
25%80
TECHNIQUE
How well did you execute?
STORYTELLING
Did the mix go somewhere?
25%75
STORYTELLING
Did the mix go somewhere?
ENERGY
Did you control the room?
20%76
ENERGY
Did you control the room?
SURPRISE
Did you remain unpredictable?
15%69
SURPRISE
Did you remain unpredictable?
IDENTITY
Did the mix sound like you?
15%82
IDENTITY
Did the mix sound like you?
Energy arc
Transitions analysed (6)
EQ blend on the 1
Smooth transition between two similar riddims, maintaining the low-end pulse.
Phrase-perfect cut
Excellent timing on the vocal handoff, feeling like a natural progression of the story.
EQ blend with low-end swap
Smooth transition, well-phrased and harmonically compatible.
Quick crossfade
A bit abrupt, slightly breaking the flow but not a major error.
Long EQ blend with bass swap
Seamless transition where the incoming bassline takes over naturally.
Phased crossfade
Respectful blend that allows the outgoing vocal to echo out.
Technical subscores
76
EQ balance
83
Beat alignment
73
Energy control
84
Tempo stability
77
Loudness control
84
Musical coherence
81
Harmonic compatibility
79
Transition cleanliness
Measured (DSP)
26 ms
Beat-grid drift (median)
Typical gap between the two tracks' beats while they play together. Lower is tighter.
180 ms
Drift p95
Worst-case drift: 95% of the set stays tighter than this value.
3,687
Boundaries detected
Points where the audio changes track or section.
9
Hard cuts / h
Abrupt track changes per hour, with no blend between the two records.
45
Clipping events
Moments where the recording hits the ceiling and distorts.
675
Level jumps
Sudden volume steps between tracks.
Measurement confidence 100% · analysed on the full audio.
Recurring patterns
Long static loops (6×)
Sections sitting on the same loop without layering, EQ moves or tension shifts (0:00, 8:00, 29:00, 31:00, 36:00, 43:00). Long loops kill dancefloor momentum.
What SOONOS heard
- Exceptional thematic curation
- Phrase-perfect transitions
- Strong emotional narrative
Timeline
- 0:15Theme Established
- 9:15Energy Plateau
- 12:45Vocal Hook Highlight
- 18:20Energy Sag
- 18:15Risky pressure or vibe dip
- 22:15Groove Lock
- 26:40Vocal Highlight
Coaching notes
- Use dub-style delays on vocal snippets to enhance the dreamy atmosphere.
- Experiment with more dramatic low-end cuts to create impactful re-entries.
- Incorporate a slightly more uptempo track to provide a rhythmic contrast.
Curious how your own set scores?
Methodology and limitations
This report is produced automatically from the published recording. It measures what is present in the audio file: a bad source encoding, a partial upload or a heavily processed broadcast version can change the measured values. Nothing here reflects the room, the crowd or the night itself.
Read the full SOONOS methodology →Questions about this analysis
- What score does Superpitcher's i only listen to reggae vol.1 "GIRL OF DREAMS" get?
- i only listen to reggae vol.1 "GIRL OF DREAMS" scores 68/100 in the SOONOS Mix Database (developing), based on audio measurement plus multi-agent listening.
- How long is i only listen to reggae vol.1 "GIRL OF DREAMS"?
- The analysed recording runs 1h 02m.
- Which part of the mix scores best?
- IDENTITY is the strongest category at 82/100, while SURPRISE is the lowest at 69/100.
- How is this score calculated?
- SOONOS measures the audio with a DSP pass (beat grid, loudness, tempo, energy) and runs a multi-agent listening pass on top. Measured axes always override the listening layer, so an execution issue heard in the file caps the final score.
More Superpitcher sets analysed
Similar indie house sets
- Damian Lazarus — PM Scientists: DROP THE BEAT (Damian Lazarus & Zoe Richardson)68
- Dixon — in our wilderness68
- Four Tet — 1234567890qwertyuiopasdfghjklzxcvbnm (DJ mix JAN 2014)67
- Raresh — Raresh Rush - Live at Private Party 31.12.202370
- DJ Koze — In Focus: DJ Koze 30012170
- DJ Koze — In Focus DJ Koze70
- HAAi — TOM HAAI - GALERIA DE ARTES - 24/04/25 (Zara House)66
- Raresh — Raresh Rush - Live At Private Party 21.10.202371
Test how a set like this one would land in a club, a beach club or a festival.
Get the same breakdown on your own set: transitions, energy arc and measured execution.
Guides: How SOONOS works · DJ guides and research