Rhadoo — Rhadoo - Live at Dommune Studio, Shibuya (03-27-26)

    Indie House · 2h 29m · analysed 25 Aug 2026 · source: soundcloud.com

    Overall score
    85/100
    Level
    festival ready
    Duration
    2h 29m
    Genre
    Indie House

    Public mix analysis — no affiliation or endorsement. This report measures a publicly available recording hosted on soundcloud.com. The scores are produced by SOONOS and do not imply any partnership with, or approval by, Rhadoo.

    In short

    Rhadoo - Live at Dommune Studio, Shibuya (03-27-26) by Rhadoo scores 85/100 in the SOONOS analysis (festival ready). The strongest dimension is IDENTITY (96/100) and the weakest is TECHNIQUE (83/100).

    Rhadoo proves that the most powerful movements in a mix are often the ones you can't see happening.

    Key takeaways

    What worked

    • Invisible long blends
    • Exceptional groove restraint
    • Clear artistic signature

    What weakened the set

    • Long static loops (6×) — Sections sitting on the same loop without layering, EQ moves or tension shifts (33:00, 44:00, 57:00, 69:00, 77:00, 92:00). Long loops kill dancefloor momentum.

    What to try next

    • Continue to explore the micro-layering of percussive elements; it is your strongest technical asset.
    • Introduce a very occasional 'dry' element (a vocal snippet or a sharp synth) to provide a brief contrast to the deep textures.
    • Maintain the vinyl-led approach; the slight organic drift adds a human soul to the mechanical rhythms.
    • Introduce a rare, unexpected vocal snippet to break the mechanical flow.

    Timestamped insights

    Each moment below is tagged with how it was produced: “measured” comes from the DSP pass on the audio, “listening” comes from the multi-agent listening pass.

    • 5:15Measured (DSP)95/100Listen at 5:15

      Invisible transition that maintains the hypnotic flow perfectly.

    • 9:40Measured (DSP)94/100Listen at 9:40

      The new track is introduced so gradually it feels like an arrangement change.

    • 13:15Measured (DSP)96/100Listen at 13:15

      A masterclass in patience. The new track's percussion is introduced so gradually it feels like an organic evolution of the first.

    • 20:45Measured (DSP)92/100Listen at 20:45

      Smooth transition that shifts the focus from rhythmic clicking to a more rolling bassline.

    • 25:42Measured (DSP)95/100Listen at 25:42

      Incredible patience. The incoming percussive elements are introduced so gradually they feel like part of the original track.

    • 30:15Measured (DSP)92/100Listen at 30:15

      Smooth transition of the low-end. The swap is executed over 32 bars with no audible phase issues.

    About this indie house set

    Rhadoo - Live at Dommune Studio, Shibuya (03-27-26) is a indie house DJ set by Rhadoo, running 2h 29m. It was measured by the SOONOS multi-agent engine and scores 85/100 overall — festival ready.

    The engine files this performance as “Promising”.

    Rhadoo proves that the most powerful movements in a mix are often the ones you can't see happening.

    How the score breaks down

    SOONOS scores this set across 5 weighted categories. The strongest is IDENTITY at 96/100; the weakest is TECHNIQUE at 83/100.

    Analysis coverage for this file is 100% — the share of the set the engine could measure with full confidence.

    Energy and structure

    The energy curve was sampled at 65 points, moving between 30 and 85 on the SOONOS energy scale — a wide dynamic range across the set.

    6 transitions were detected and scored individually.

    Beat-grid measurement (DSP) reports 1095.1 grid breaks per hour, with a median beat offset of 25 ms.

    How this score is built

    Measured layer (DSP): the audio file is analysed directly — beat grid, tempo stability, loudness and energy. These values are measurements, not opinions.

    Listening layer: a multi-agent pass reads musical intent — programming, storytelling, coherence and crowd effect. This layer interprets, it does not measure.

    Fusion and ceilings: the two layers are merged, and the measured layer always wins on execution. When the DSP hears an execution problem, it caps the final score even if the listening layer is positive.

    Measured coverage for this file is 100% of the set.

    Listen to the original set

    Full SOONOS analysis

    0

    Rhadoo proves that the most powerful movements in a mix are often the ones you can't see happening.

    The 8 dimensions

    Not available — the 8-dimension profile was not measured for this set.

    Score breakdown

    TECHNIQUE

    How well did you execute?

    25%83
    Beat Alignmentmeasured74
    Transition Qualitymeasured79
    Phrase Accuracymeasured95
    EQ & Frequency Control (estimated)measured92
    Tempo Stability (estimated)measured95
    Technical Cleanlinessmeasured53

    STORYTELLING

    Did the mix go somewhere?

    25%90
    Narrative ArcAI95
    ProgressionAI89
    Tension & ReleaseAI86
    Section AwarenessAI92
    Flow ContinuityAI97
    PayoffAI80

    ENERGY

    Did you control the room?

    20%85
    Energy Curvemeasured79
    PacingAI95
    MomentumAI92
    Peak ManagementAI87
    Energy HandoffAI89
    Fatigue ControlAI60

    SURPRISE

    Did you remain unpredictable?

    15%84
    Unexpected MomentsAI84
    ContrastAI84
    Transition Varietymeasured96
    Selection RiskAI88
    FreshnessAI55
    Surprise ControlAI84

    IDENTITY

    Did the mix sound like you?

    15%96
    Selection QualityAI93
    Identity ConsistencyAI99
    IntentionalityAI97
    ConfidenceAI95
    RestraintAI98
    SignatureAI96

    Energy arc

    0:00148:59

    Transitions analysed (6)

    5:15

    Long EQ blend with subtle low-end handover.

    Invisible transition that maintains the hypnotic flow perfectly.

    95
    9:40

    Seamless layering of percussive elements.

    The new track is introduced so gradually it feels like an arrangement change.

    94
    13:15

    Extended EQ blend with sub-bass handover

    A masterclass in patience. The new track's percussion is introduced so gradually it feels like an organic evolution of the first.

    96
    20:45

    Mid-range swap during percussive breakdown

    Smooth transition that shifts the focus from rhythmic clicking to a more rolling bassline.

    92
    25:42

    Long-form EQ crossover

    Incredible patience. The incoming percussive elements are introduced so gradually they feel like part of the original track.

    95
    30:15

    Subtractive EQ blending

    Smooth transition of the low-end. The swap is executed over 32 bars with no audible phase issues.

    92

    Technical subscores

    92

    EQ balance

    95

    Beat alignment

    89

    Energy control

    95

    Tempo stability

    90

    Loudness control

    92

    Musical coherence

    91

    Harmonic compatibility

    94

    Transition cleanliness

    Measured (DSP)

    25 ms

    Beat-grid drift (median)

    Typical gap between the two tracks' beats while they play together. Lower is tighter.

    258 ms

    Drift p95

    Worst-case drift: 95% of the set stays tighter than this value.

    8,920

    Boundaries detected

    Points where the audio changes track or section.

    18

    Hard cuts / h

    Abrupt track changes per hour, with no blend between the two records.

    57

    Clipping events

    Moments where the recording hits the ceiling and distorts.

    1681

    Level jumps

    Sudden volume steps between tracks.

    Measurement confidence 100% · analysed on the full audio.

    Recurring patterns

    • Long static loops (6×)

      Sections sitting on the same loop without layering, EQ moves or tension shifts (33:00, 44:00, 57:00, 69:00, 77:00, 92:00). Long loops kill dancefloor momentum.

    What SOONOS heard

    • Invisible long blends
    • Exceptional groove restraint
    • Clear artistic signature

    Timeline

    • 4:30Groove Solidification
    • 8:15Hypnotic Peak
    • 27:10Groove Lock

    Coaching notes

    • Continue to explore the micro-layering of percussive elements; it is your strongest technical asset.
    • Introduce a very occasional 'dry' element (a vocal snippet or a sharp synth) to provide a brief contrast to the deep textures.
    • Maintain the vinyl-led approach; the slight organic drift adds a human soul to the mechanical rhythms.
    • Introduce a rare, unexpected vocal snippet to break the mechanical flow.
    • Experiment with extreme high-pass filtering during a transition to create a 'vacuum' effect.
    • Use a short, dry delay on the percussion to add a sense of space.
    • Maintain the current level of restraint; it is your greatest asset.
    Listen on SoundCloud

    Curious how your own set scores?

    Methodology and limitations

    This report is produced automatically from the published recording. It measures what is present in the audio file: a bad source encoding, a partial upload or a heavily processed broadcast version can change the measured values. Nothing here reflects the room, the crowd or the night itself.

    Read the full SOONOS methodology →

    Questions about this analysis

    What score does Rhadoo's Rhadoo - Live at Dommune Studio, Shibuya (03-27-26) get?
    Rhadoo - Live at Dommune Studio, Shibuya (03-27-26) scores 85/100 in the SOONOS Mix Database (festival ready), based on audio measurement plus multi-agent listening.
    How long is Rhadoo - Live at Dommune Studio, Shibuya (03-27-26)?
    The analysed recording runs 2h 29m.
    Which part of the mix scores best?
    IDENTITY is the strongest category at 96/100, while TECHNIQUE is the lowest at 83/100.
    How is this score calculated?
    SOONOS measures the audio with a DSP pass (beat grid, loudness, tempo, energy) and runs a multi-agent listening pass on top. Measured axes always override the listening layer, so an execution issue heard in the file caps the final score.

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