Objekt — Objekt at Dekmantel Selectors 2019

    Experimental Techno · 2h 28m · analysed 21 Aug 2026 · source: soundcloud.com

    Overall score
    88/100
    Level
    festival ready
    Duration
    2h 28m
    Genre
    Experimental Techno

    Public mix analysis — no affiliation or endorsement. This report measures a publicly available recording hosted on soundcloud.com. The scores are produced by SOONOS and do not imply any partnership with, or approval by, Objekt.

    In short

    Objekt at Dekmantel Selectors 2019 by Objekt scores 88/100 in the SOONOS analysis (festival ready). The strongest dimension is IDENTITY (96/100) and the weakest is TECHNIQUE (84/100).

    Objekt treats the mixer as an instrument, not just a tool for track changes.

    Key takeaways

    What weakened the set

    • Long static loops (6×) — Sections sitting on the same loop without layering, EQ moves or tension shifts (20:00, 25:00, 31:00, 48:00, 54:00, 59:00). Long loops kill dancefloor momentum.

    What to try next

    • Experiment with even longer tension phases using frequency isolation.
    • Introduce subtle melodic motifs to add human warmth to the industrial soundscape.
    • Consider a high-contrast breakdown to reset the listener's ear before major peaks.
    • Maintain the current level of rhythmic complexity; it is a significant artistic strength.

    Timestamped insights

    Each moment below is tagged with how it was produced: “measured” comes from the DSP pass on the audio, “listening” comes from the multi-agent listening pass.

    • 4:12Measured (DSP)96/100Listen at 4:12

      Masterful transition from the ambient vocal intro into the first rhythmic section. The EQ work is invisible.

    • 8:30Measured (DSP)94/100Listen at 8:30

      The transition is felt rather than heard, as the groove shifts from broken to a more driving 4/4-adjacent feel.

    • 12:25Measured (DSP)95/100Listen at 12:25

      Perfectly executed transition where the incoming track's percussion seamlessly replaces the outgoing one.

    • 18:02Measured (DSP)88/100Listen at 18:02

      A more aggressive transition that briefly disrupts the flow but successfully resets the energy for the next track.

    • 24:45Measured (DSP)92/100Listen at 24:45

      A masterfully executed transition where the new track's percussion slowly replaces the old, maintaining perfect phase.

    • 29:30Measured (DSP)88/100Listen at 29:30

      Clean handover of the melodic/textural elements. The groove remains completely undisturbed.

    About this experimental techno set

    Objekt at Dekmantel Selectors 2019 is a experimental techno DJ set by Objekt, running 2h 28m. It was measured by the SOONOS multi-agent engine and scores 88/100 overall — festival ready.

    The engine files this performance as “Promising”.

    Objekt treats the mixer as an instrument, not just a tool for track changes.

    How the score breaks down

    SOONOS scores this set across 5 weighted categories. The strongest is IDENTITY at 96/100; the weakest is TECHNIQUE at 84/100.

    Analysis coverage for this file is 100% — the share of the set the engine could measure with full confidence.

    Energy and structure

    The energy curve was sampled at 78 points, moving between 20 and 98 on the SOONOS energy scale — a wide dynamic range across the set.

    6 transitions were detected and scored individually.

    Beat-grid measurement (DSP) reports 901.8 grid breaks per hour, with a median beat offset of 25 ms.

    How this score is built

    Measured layer (DSP): the audio file is analysed directly — beat grid, tempo stability, loudness and energy. These values are measurements, not opinions.

    Listening layer: a multi-agent pass reads musical intent — programming, storytelling, coherence and crowd effect. This layer interprets, it does not measure.

    Fusion and ceilings: the two layers are merged, and the measured layer always wins on execution. When the DSP hears an execution problem, it caps the final score even if the listening layer is positive.

    Measured coverage for this file is 100% of the set.

    Listen to the original set

    Full SOONOS analysis

    0

    Objekt treats the mixer as an instrument, not just a tool for track changes.

    The 8 dimensions

    Not available — the 8-dimension profile was not measured for this set.

    Score breakdown

    TECHNIQUE

    How well did you execute?

    25%84
    Beat Alignmentmeasured75
    Transition Qualitymeasured82
    Phrase Accuracymeasured95
    EQ & Frequency Control (estimated)measured91
    Tempo Stability (estimated)measured95
    Technical Cleanlinessmeasured58

    STORYTELLING

    Did the mix go somewhere?

    25%94
    Narrative ArcAI95
    ProgressionAI93
    Tension & ReleaseAI92
    Section AwarenessAI94
    Flow ContinuityAI94
    PayoffAI92

    ENERGY

    Did you control the room?

    20%89
    Energy Curvemeasured86
    PacingAI94
    MomentumAI94
    Peak ManagementAI92
    Energy HandoffAI93
    Fatigue ControlAI63

    SURPRISE

    Did you remain unpredictable?

    15%89
    Unexpected MomentsAI92
    ContrastAI89
    Transition Varietymeasured94
    Selection RiskAI93
    FreshnessAI64
    Surprise ControlAI92

    IDENTITY

    Did the mix sound like you?

    15%96
    Selection QualityAI96
    Identity ConsistencyAI96
    IntentionalityAI97
    ConfidenceAI97
    RestraintAI91
    SignatureAI96

    Energy arc

    0:00147:30

    Transitions analysed (6)

    4:12

    Long textural blend with percussive introduction

    Masterful transition from the ambient vocal intro into the first rhythmic section. The EQ work is invisible.

    96
    8:30

    Subtractive EQ blend

    The transition is felt rather than heard, as the groove shifts from broken to a more driving 4/4-adjacent feel.

    94
    12:25

    Long EQ blend with low-end swap

    Perfectly executed transition where the incoming track's percussion seamlessly replaces the outgoing one.

    95
    18:02

    Quick cut with high-pass filter

    A more aggressive transition that briefly disrupts the flow but successfully resets the energy for the next track.

    88
    24:45

    Long EQ blend with high-pass filtering

    A masterfully executed transition where the new track's percussion slowly replaces the old, maintaining perfect phase.

    92
    29:30

    Mid-range swap on phrase boundary

    Clean handover of the melodic/textural elements. The groove remains completely undisturbed.

    88

    Technical subscores

    91

    EQ balance

    96

    Beat alignment

    92

    Energy control

    95

    Tempo stability

    91

    Loudness control

    94

    Musical coherence

    88

    Harmonic compatibility

    92

    Transition cleanliness

    Measured (DSP)

    25 ms

    Beat-grid drift (median)

    Typical gap between the two tracks' beats while they play together. Lower is tighter.

    220 ms

    Drift p95

    Worst-case drift: 95% of the set stays tighter than this value.

    8,831

    Boundaries detected

    Points where the audio changes track or section.

    23

    Hard cuts / h

    Abrupt track changes per hour, with no blend between the two records.

    116

    Clipping events

    Moments where the recording hits the ceiling and distorts.

    586

    Level jumps

    Sudden volume steps between tracks.

    Measurement confidence 100% · analysed on the full audio.

    Recurring patterns

    • Long static loops (6×)

      Sections sitting on the same loop without layering, EQ moves or tension shifts (20:00, 25:00, 31:00, 48:00, 54:00, 59:00). Long loops kill dancefloor momentum.

    Timeline

    • 0:05Atmospheric Hook
    • 4:30Rhythmic Crystallization
    • 14:10Tension Masterclass
    • 21:15Groove Lock
    • 18:02Risky pressure or vibe dip

    Coaching notes

    • Experiment with even longer tension phases using frequency isolation.
    • Introduce subtle melodic motifs to add human warmth to the industrial soundscape.
    • Consider a high-contrast breakdown to reset the listener's ear before major peaks.
    • Maintain the current level of rhythmic complexity; it is a significant artistic strength.
    • Experiment with brief melodic motifs to provide a counterpoint to the heavy percussion.
    • Utilize more extreme filter sweeps to accentuate the transitions between rhythmic chapters.
    • Maintain the current level of selection depth; it is the mix's greatest asset.
    • Continue exploring the intersection of broken-beat and 4/4 techno.
    • Maintain the surgical EQ precision during high-density percussive layers.
    • Consider a brief melodic 'breather' to enhance the impact of the mechanical sections.
    • Incorporate more melodic elements to broaden the emotional spectrum.
    • Experiment with brief atmospheric resets to further accentuate the drops.
    • Use more dramatic filter sweeps to create moments of extreme tension.
    • Experiment with even more extreme rhythmic contrasts during peak moments.
    • Consider a brief, high-tension atmospheric breakdown to reset the crowd's ears before the final track.
    • Maintain the current level of technical precision, as it is a key differentiator.
    Listen on SoundCloud

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    Methodology and limitations

    This report is produced automatically from the published recording. It measures what is present in the audio file: a bad source encoding, a partial upload or a heavily processed broadcast version can change the measured values. Nothing here reflects the room, the crowd or the night itself.

    Read the full SOONOS methodology →

    Questions about this analysis

    What score does Objekt's Objekt at Dekmantel Selectors 2019 get?
    Objekt at Dekmantel Selectors 2019 scores 88/100 in the SOONOS Mix Database (festival ready), based on audio measurement plus multi-agent listening.
    How long is Objekt at Dekmantel Selectors 2019?
    The analysed recording runs 2h 28m.
    Which part of the mix scores best?
    IDENTITY is the strongest category at 96/100, while TECHNIQUE is the lowest at 84/100.
    How is this score calculated?
    SOONOS measures the audio with a DSP pass (beat grid, loudness, tempo, energy) and runs a multi-agent listening pass on top. Measured axes always override the listening layer, so an execution issue heard in the file caps the final score.

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