Margaret Dygas — Margaret Dygas ● Submarine SLASH9tv[1]

In short

Margaret Dygas ● Submarine SLASH9tv[1] by Margaret Dygas scores 78/100 in the SOONOS analysis (club ready). The strongest dimension is IDENTITY (95/100) and the weakest is TECHNIQUE (80/100).

This is DJing as architecture—building a space for the listener to inhabit rather than just a sequence of tracks.

Key takeaways

Timestamped insights

Each moment below is tagged with how it was produced: “measured” comes from the DSP pass on the audio, “listening” comes from the multi-agent listening pass.

• 05:22Measured (DSP)92/100Listen at 05:22

  A masterfully executed transition that maintains the hypnotic flow.

• 10:45Measured (DSP)88/100Listen at 10:45

  Smooth handover of high-frequency elements to build energy.

• 13:45Measured (DSP)92/100Listen at 13:45

  Perfectly executed transition that maintains the hypnotic flow without any audible disruption.

• 19:00Measured (DSP)88/100Listen at 19:00

  Smooth introduction of new elements that build tension organically.

About this indie house set

Margaret Dygas ● Submarine SLASH9tv[1] is a indie house DJ set by Margaret Dygas, running 2h 11m. It was measured by the SOONOS multi-agent engine and scores 78/100 overall — club ready.

The engine files this performance as “Promising”.

This is DJing as architecture—building a space for the listener to inhabit rather than just a sequence of tracks.

How the score breaks down

SOONOS scores this set across 5 weighted categories. The strongest is IDENTITY at 95/100; the weakest is TECHNIQUE at 80/100.

The final score is capped by measured beatmatching: the DSP layer overrides the listening layer whenever it measures an execution issue directly in the audio.

Analysis coverage for this file is 100% — the share of the set the engine could measure with full confidence.

Energy and structure

The energy curve was sampled at 44 points, moving between 40 and 85 on the SOONOS energy scale — a wide dynamic range across the set.

5 transitions were detected and scored individually.

Beat-grid measurement (DSP) reports 221.2 grid breaks per hour, with a median beat offset of 28 ms.

How this score is built

Measured layer (DSP): the audio file is analysed directly — beat grid, tempo stability, loudness and energy. These values are measurements, not opinions.

Listening layer: a multi-agent pass reads musical intent — programming, storytelling, coherence and crowd effect. This layer interprets, it does not measure.

Fusion and ceilings: the two layers are merged, and the measured layer always wins on execution. When the DSP hears an execution problem, it caps the final score even if the listening layer is positive.

On this set, the ceiling applied is measured beatmatching.

Measured coverage for this file is 100% of the set.

Methodology and limitations

This report is produced automatically from the published recording. It measures what is present in the audio file: a bad source encoding, a partial upload or a heavily processed broadcast version can change the measured values. Nothing here reflects the room, the crowd or the night itself.

Questions about this analysis

What score does Margaret Dygas's Margaret Dygas ● Submarine SLASH9tv[1] get?

Margaret Dygas ● Submarine SLASH9tv[1] scores 78/100 in the SOONOS Mix Database (club ready), based on audio measurement plus multi-agent listening.

How long is Margaret Dygas ● Submarine SLASH9tv[1]?

The analysed recording runs 2h 11m.

Which part of the mix scores best?

IDENTITY is the strongest category at 95/100, while TECHNIQUE is the lowest at 80/100.

How is this score calculated?

SOONOS measures the audio with a DSP pass (beat grid, loudness, tempo, energy) and runs a multi-agent listening pass on top. Measured axes always override the listening layer, so an execution issue heard in the file caps the final score.