MalaaTchami x Malaa - No Redemption live set - Ultra 2018

    Bass House · 1h 31m · analysed 20 Aug 2026

    Overall score
    86/100
    Level
    festival ready
    Duration
    1h 31m
    Genre
    Bass House

    About this bass house set

    Tchami x Malaa - No Redemption live set - Ultra 2018 is a bass house DJ set by Malaa, running 1h 31m. It was measured by the SOONOS multi-agent engine and scores 86/100 overall — festival ready.

    The engine files this performance as “Promising”.

    This set proves that technical perfection and high-energy showmanship are not mutually exclusive.

    How the score breaks down

    SOONOS scores this set across 5 weighted categories. The strongest is IDENTITY at 93/100; the weakest is SURPRISE at 81/100.

    The final score is capped by measured -: the DSP layer overrides the listening layer whenever it measures an execution issue directly in the audio.

    Analysis coverage for this file is 100% — the share of the set the engine could measure with full confidence.

    Energy and structure

    The energy curve was sampled at 34 points, moving between 20 and 95 on the SOONOS energy scale — a wide dynamic range across the set.

    7 transitions were detected and scored individually.

    Beat-grid measurement (DSP) reports 871.8 grid breaks per hour, with a median beat offset of 11 ms.

    Listen to the original set

    Full SOONOS analysis

    TECSELNRGCRWHRMGRVCRESIG
    0

    This set proves that technical perfection and high-energy showmanship are not mutually exclusive.

    The 8 dimensions

    Technical precision0
    Track selection0
    Energy arc0
    Crowd control0
    Harmonic depth0
    Groove patience0
    Creativity0
    Signature0

    Score breakdown

    TECHNIQUE

    How well did you execute?

    25%88
    Beat Alignmentmeasured92
    Transition Qualitymeasured81
    Phrase Accuracymeasured93
    EQ & Frequency Control (estimated)measured89
    Tempo Stability (estimated)measured97
    Technical Cleanlinessmeasured70

    STORYTELLING

    Did the mix go somewhere?

    25%90
    Narrative ArcAI91
    ProgressionAI87
    Tension & ReleaseAI87
    Section AwarenessAI89
    Flow ContinuityAI91
    PayoffAI95

    ENERGY

    Did you control the room?

    20%85
    Energy Curvemeasured84
    PacingAI88
    MomentumAI95
    Peak ManagementAI89
    Energy HandoffAI91
    Fatigue ControlAI47

    SURPRISE

    Did you remain unpredictable?

    15%81
    Unexpected MomentsAI82
    ContrastAI81
    Transition Varietymeasured93
    Selection RiskAI88
    FreshnessAI44
    Surprise ControlAI82

    IDENTITY

    Did the mix sound like you?

    15%93
    Selection QualityAI93
    Identity ConsistencyAI97
    IntentionalityAI95
    ConfidenceAI96
    RestraintAI80
    SignatureAI96

    Final score capped by measured execution (-) — weighted average was 88.

    Energy arc

    0:0091:00

    Transitions analysed (7)

    2:15

    16-bar EQ blend with low-end swap

    Seamless transition from the intro atmosphere into the first driving groove.

    92
    4:30

    High-pass filter sweep and drop swap

    Energetic transition maintaining the G-House bounce.

    88
    8:15

    Short build-up into a high-impact drop

    Perfectly timed for maximum crowd impact at the 8-minute mark.

    90
    12:45

    High-pass filter blend with percussive layering

    Seamless integration of the incoming track's hats over the outgoing bassline.

    92
    18:45

    Double-drop with vocal breakdown

    Masterful use of the 'After Life' vocal to reset the room before a massive G-house drop.

    95
    24:12

    Perfect Blend

    100
    28:05

    Strategic Drop Swap

    intentional_reset

    100

    Technical subscores

    89

    EQ balance

    94

    Beat alignment

    91

    Energy control

    97

    Tempo stability

    89

    Loudness control

    89

    Musical coherence

    87

    Harmonic compatibility

    90

    Transition cleanliness

    Measured (DSP)

    11.4 ms

    Beat-grid drift (median)

    231.4 ms

    Drift p95

    5,464

    Boundaries detected

    30

    Hard cuts / h

    20

    Clipping events

    194

    Level jumps

    Measurement confidence 99% · analysed on the full audio.

    Recurring patterns

    • Long static loops (6×)

      Sections sitting on the same loop without layering, EQ moves or tension shifts (21:00, 28:15, 34:00, 42:00, 46:00, 51:28). Long loops kill dancefloor momentum.

    What SOONOS heard

    • Technical precision
    • Energy management
    • Stylistic consistency

    Timeline

    • 0:45Thematic Hook
    • 6:30Energy Plateau
    • 8:15Risky pressure or vibe dip
    • 15:45Vocal Loop Tension
    • 19:30Melodic Breathing Room

    Coaching notes

    • Continue leveraging the unique 'No Redemption' sound palette to maintain brand identity.
    • Experiment with slightly longer, more atmospheric breakdowns to create even greater contrast for the drops.
    • Ensure high-frequency transients are carefully managed to avoid listener fatigue during extended high-energy segments.
    • Introduce more melodic elements to provide emotional contrast.
    • Vary the length of breakdowns to keep the energy arc unpredictable.
    • Use more creative FX layering during transitions to add a personal signature.
    • Monitor mid-frequency density when layering vocal-heavy tracks.
    Listen on SoundCloud

    Curious how your own set scores?

    Questions about this analysis

    What score does Malaa's Tchami x Malaa - No Redemption live set - Ultra 2018 get?
    Tchami x Malaa - No Redemption live set - Ultra 2018 scores 86/100 in the SOONOS Mix Database (festival ready), based on audio measurement plus multi-agent listening.
    How long is Tchami x Malaa - No Redemption live set - Ultra 2018?
    The analysed recording runs 1h 31m.
    Which part of the mix scores best?
    IDENTITY is the strongest category at 93/100, while SURPRISE is the lowest at 81/100.
    How is this score calculated?
    SOONOS measures the audio with a DSP pass (beat grid, loudness, tempo, energy) and runs a multi-agent listening pass on top. Measured axes always override the listening layer, so an execution issue heard in the file caps the final score.

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