Malaa — MALAA - SILO, DALLAS

    Bass House · 59 min · analysed 20 Aug 2026 · source: soundcloud.com

    Overall score
    83/100
    Level
    club ready
    Duration
    59 min
    Genre
    Bass House

    Public mix analysis — no affiliation or endorsement. This report measures a publicly available recording hosted on soundcloud.com. The scores are produced by SOONOS and do not imply any partnership with, or approval by, Malaa.

    In short

    MALAA - SILO, DALLAS by Malaa scores 83/100 in the SOONOS analysis (club ready). The strongest dimension is IDENTITY (92/100) and the weakest is SURPRISE (79/100).

    The engine files this performance as “Promising”.

    Key takeaways

    What weakened the set

    • Long static loops (6×) — Sections sitting on the same loop without layering, EQ moves or tension shifts (14:00, 20:30, 26:30, 35:00, 45:00, 56:30). Long loops kill dancefloor momentum.

    What to try next

    • Experiment with more diverse percussion layers to add texture to the long blends.
    • Incorporate a brief melodic or atmospheric breakdown to provide a contrast to the heavy bass.
    • Utilize more creative FX transitions (e.g., delay throws) to add a personal signature to the technical execution.

    Timestamped insights

    Each moment below is tagged with how it was produced: “measured” comes from the DSP pass on the audio, “listening” comes from the multi-agent listening pass.

    • 1:15Measured (DSP)95/100Listen at 1:15

      Maximum impact transition that perfectly aligns with the cinematic build-up.

    • 5:22Measured (DSP)90/100Listen at 5:22

      Smooth transition between two bass-heavy tracks, maintaining groove continuity.

    • 13:45Measured (DSP)92/100Listen at 13:45

      Perfectly executed transition, maintaining the sub-bass weight without clashing.

    • 19:20Measured (DSP)88/100Listen at 19:20

      Smooth introduction of the next track's lead elements while filtering out the previous track.

    • 24:45Measured (DSP)90/100Listen at 24:45

      Perfectly aligned kicks, seamless transition into the next bassline.

    About this bass house set

    MALAA - SILO, DALLAS is a bass house DJ set by Malaa, running 59 min. It was measured by the SOONOS multi-agent engine and scores 83/100 overall — club ready.

    The engine files this performance as “Promising”.

    How the score breaks down

    SOONOS scores this set across 5 weighted categories. The strongest is IDENTITY at 92/100; the weakest is SURPRISE at 79/100.

    Analysis coverage for this file is 100% — the share of the set the engine could measure with full confidence.

    Energy and structure

    The energy curve was sampled at 29 points, moving between 40 and 95 on the SOONOS energy scale — a wide dynamic range across the set.

    5 transitions were detected and scored individually.

    Beat-grid measurement (DSP) reports 1528.1 grid breaks per hour, with a median beat offset of 23 ms.

    How this score is built

    Measured layer (DSP): the audio file is analysed directly — beat grid, tempo stability, loudness and energy. These values are measurements, not opinions.

    Listening layer: a multi-agent pass reads musical intent — programming, storytelling, coherence and crowd effect. This layer interprets, it does not measure.

    Fusion and ceilings: the two layers are merged, and the measured layer always wins on execution. When the DSP hears an execution problem, it caps the final score even if the listening layer is positive.

    Measured coverage for this file is 100% of the set.

    Listen to the original set

    Full SOONOS analysis

    0

    The 8 dimensions

    Not available — the 8-dimension profile was not measured for this set.

    Score breakdown

    TECHNIQUE

    How well did you execute?

    25%84
    Beat Alignmentmeasured78
    Transition Qualitymeasured69
    Phrase Accuracymeasured92
    EQ & Frequency Control (estimated)measured90
    Tempo Stability (estimated)measured95
    Technical Cleanlinessmeasured85

    STORYTELLING

    Did the mix go somewhere?

    25%88
    Narrative ArcAI90
    ProgressionAI84
    Tension & ReleaseAI84
    Section AwarenessAI88
    Flow ContinuityAI90
    PayoffAI93

    ENERGY

    Did you control the room?

    20%82
    Energy Curvemeasured83
    PacingAI86
    MomentumAI94
    Peak ManagementAI89
    Energy HandoffAI89
    Fatigue ControlAI33

    SURPRISE

    Did you remain unpredictable?

    15%79
    Unexpected MomentsAI82
    ContrastAI77
    Transition Varietymeasured93
    Selection RiskAI88
    FreshnessAI32
    Surprise ControlAI82

    IDENTITY

    Did the mix sound like you?

    15%92
    Selection QualityAI92
    Identity ConsistencyAI97
    IntentionalityAI94
    ConfidenceAI96
    RestraintAI78
    SignatureAI94

    Energy arc

    0:0059:00

    Transitions analysed (5)

    1:15

    Hard cut on the drop

    Maximum impact transition that perfectly aligns with the cinematic build-up.

    95
    5:22

    EQ-balanced blend

    Smooth transition between two bass-heavy tracks, maintaining groove continuity.

    90
    13:45

    EQ-based low-end swap on phrase

    Perfectly executed transition, maintaining the sub-bass weight without clashing.

    92
    19:20

    Mid-range layering with filter sweep

    Smooth introduction of the next track's lead elements while filtering out the previous track.

    88
    24:45

    EQ-matched blend

    Perfectly aligned kicks, seamless transition into the next bassline.

    90

    Technical subscores

    90

    EQ balance

    94

    Beat alignment

    90

    Energy control

    95

    Tempo stability

    89

    Loudness control

    90

    Musical coherence

    87

    Harmonic compatibility

    90

    Transition cleanliness

    Measured (DSP)

    23 ms

    Beat-grid drift (median)

    Typical gap between the two tracks' beats while they play together. Lower is tighter.

    258 ms

    Drift p95

    Worst-case drift: 95% of the set stays tighter than this value.

    3,530

    Boundaries detected

    Points where the audio changes track or section.

    82

    Hard cuts / h

    Abrupt track changes per hour, with no blend between the two records.

    352

    Clipping events

    Moments where the recording hits the ceiling and distorts.

    153

    Level jumps

    Sudden volume steps between tracks.

    Measurement confidence 100% · analysed on the full audio.

    Recurring patterns

    • Long static loops (6×)

      Sections sitting on the same loop without layering, EQ moves or tension shifts (14:00, 20:30, 26:30, 35:00, 45:00, 56:30). Long loops kill dancefloor momentum.

    Timeline

    • 0:00Theatrical Intro
    • 7:45Energy Plateau
    • 16:45Groove Lock
    • 20:15Peak Energy Drop
    • 28:15Groove Lock

    Coaching notes

    • Experiment with more diverse percussion layers to add texture to the long blends.
    • Incorporate a brief melodic or atmospheric breakdown to provide a contrast to the heavy bass.
    • Utilize more creative FX transitions (e.g., delay throws) to add a personal signature to the technical execution.
    Listen on SoundCloud

    Curious how your own set scores?

    Methodology and limitations

    This report is produced automatically from the published recording. It measures what is present in the audio file: a bad source encoding, a partial upload or a heavily processed broadcast version can change the measured values. Nothing here reflects the room, the crowd or the night itself.

    Read the full SOONOS methodology →

    Questions about this analysis

    What score does Malaa's MALAA - SILO, DALLAS get?
    MALAA - SILO, DALLAS scores 83/100 in the SOONOS Mix Database (club ready), based on audio measurement plus multi-agent listening.
    How long is MALAA - SILO, DALLAS?
    The analysed recording runs 59 min.
    Which part of the mix scores best?
    IDENTITY is the strongest category at 92/100, while SURPRISE is the lowest at 79/100.
    How is this score calculated?
    SOONOS measures the audio with a DSP pass (beat grid, loudness, tempo, energy) and runs a multi-agent listening pass on top. Measured axes always override the listening layer, so an execution issue heard in the file caps the final score.

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