John Digweed — John Digweed - Transitions 1060 (Best of Bedrock 2 hour Special)
Progressive · 2h 00m · analysed 18 Aug 2026 · source: soundcloud.com
Public mix analysis — no affiliation or endorsement. This report measures a publicly available recording hosted on soundcloud.com. The scores are produced by SOONOS and do not imply any partnership with, or approval by, John Digweed.
In short
John Digweed - Transitions 1060 (Best of Bedrock 2 hour Special) by John Digweed scores 90/100 in the SOONOS analysis (reference level). The strongest dimension is IDENTITY (97/100) and the weakest is SURPRISE (87/100).
The DJ isn't just playing tracks; they are weaving a continuous sonic tapestry.
Key takeaways
What worked
- Invisible technical execution
- Exceptional track selection
- Masterful pacing
What weakened the set
- Long static loops (6×) — Sections sitting on the same loop without layering, EQ moves or tension shifts (14:00, 22:00, 26:00, 32:00, 36:00, 40:45). Long loops kill dancefloor momentum.
What to try next
- Continue to trust the long-form blends; they are your greatest strength.
- Maintain the current balance between driving percussion and atmospheric pads.
- Consider a very subtle 'reset' moment around the 45-minute mark to refresh the listener's ears.
- Maintain the current level of transition length; it is your greatest technical asset.
Timestamped insights
Each moment below is tagged with how it was produced: “measured” comes from the DSP pass on the audio, “listening” comes from the multi-agent listening pass.
A masterclass in patience; the tracks coexist for over 64 bars without any frequency masking.
Beautiful harmonic transition that uses the breakdown of the incoming track to bridge the energy gap.
A masterclass in progressive mixing. The incoming track's percussion is introduced so subtly it feels like an arrangement change.
Perfectly key-matched transition that builds melodic density without cluttering the mix.
A masterfully executed long blend where the incoming track's bassline replaces the outgoing one without a hint of clash.
About this progressive set
John Digweed - Transitions 1060 (Best of Bedrock 2 hour Special) is a progressive DJ set by John Digweed, running 2h 00m. It was measured by the SOONOS multi-agent engine and scores 90/100 overall — reference level.
The engine files this performance as “Promising”.
The DJ isn't just playing tracks; they are weaving a continuous sonic tapestry.
How the score breaks down
SOONOS scores this set across 5 weighted categories. The strongest is IDENTITY at 97/100; the weakest is SURPRISE at 87/100.
Analysis coverage for this file is 100% — the share of the set the engine could measure with full confidence.
Energy and structure
The energy curve was sampled at 60 points, moving between 5 and 88 on the SOONOS energy scale — a wide dynamic range across the set.
5 transitions were detected and scored individually.
Beat-grid measurement (DSP) reports 754.2 grid breaks per hour, with a median beat offset of 23 ms.
How this score is built
Measured layer (DSP): the audio file is analysed directly — beat grid, tempo stability, loudness and energy. These values are measurements, not opinions.
Listening layer: a multi-agent pass reads musical intent — programming, storytelling, coherence and crowd effect. This layer interprets, it does not measure.
Fusion and ceilings: the two layers are merged, and the measured layer always wins on execution. When the DSP hears an execution problem, it caps the final score even if the listening layer is positive.
Measured coverage for this file is 100% of the set.
Full SOONOS analysis
The DJ isn't just playing tracks; they are weaving a continuous sonic tapestry.
The 8 dimensions
Not available — the 8-dimension profile was not measured for this set.
Score breakdown
TECHNIQUE
How well did you execute?
25%88
TECHNIQUE
How well did you execute?
STORYTELLING
Did the mix go somewhere?
25%93
STORYTELLING
Did the mix go somewhere?
ENERGY
Did you control the room?
20%90
ENERGY
Did you control the room?
SURPRISE
Did you remain unpredictable?
15%87
SURPRISE
Did you remain unpredictable?
IDENTITY
Did the mix sound like you?
15%97
IDENTITY
Did the mix sound like you?
Energy arc
Transitions analysed (5)
Long EQ blend with low-end swap
A masterclass in patience; the tracks coexist for over 64 bars without any frequency masking.
Melodic layering and filter sweep
Beautiful harmonic transition that uses the breakdown of the incoming track to bridge the energy gap.
64-bar EQ blend with surgical low-end handover
A masterclass in progressive mixing. The incoming track's percussion is introduced so subtly it feels like an arrangement change.
Harmonic layering with mid-range focus
Perfectly key-matched transition that builds melodic density without cluttering the mix.
Long EQ blend with low-end swap
A masterfully executed long blend where the incoming track's bassline replaces the outgoing one without a hint of clash.
Technical subscores
93
EQ balance
97
Beat alignment
92
Energy control
97
Tempo stability
91
Loudness control
95
Musical coherence
95
Harmonic compatibility
95
Transition cleanliness
Measured (DSP)
23 ms
Beat-grid drift (median)
Typical gap between the two tracks' beats while they play together. Lower is tighter.
241 ms
Drift p95
Worst-case drift: 95% of the set stays tighter than this value.
7,209
Boundaries detected
Points where the audio changes track or section.
38
Hard cuts / h
Abrupt track changes per hour, with no blend between the two records.
6
Clipping events
Moments where the recording hits the ceiling and distorts.
369
Level jumps
Sudden volume steps between tracks.
Measurement confidence 100% · analysed on the full audio.
Recurring patterns
Long static loops (6×)
Sections sitting on the same loop without layering, EQ moves or tension shifts (14:00, 22:00, 26:00, 32:00, 36:00, 40:45). Long loops kill dancefloor momentum.
What SOONOS heard
- Invisible technical execution
- Exceptional track selection
- Masterful pacing
Timeline
- 00:45Intro Narrative
- 06:30Groove Lock
- 11:15Energy Pivot
- 15:20Groove Lock
- 22:40Atmospheric Peak
- 28:30Energy Pivot
Coaching notes
- Continue to trust the long-form blends; they are your greatest strength.
- Maintain the current balance between driving percussion and atmospheric pads.
- Consider a very subtle 'reset' moment around the 45-minute mark to refresh the listener's ears.
- Maintain the current level of transition length; it is your greatest technical asset.
- Continue to prioritize tracks with complex, evolving textures over simple loops.
- Consider a slightly more dramatic 'reset' moment in the next segment to refresh the listener's ear.
- Continue to leverage long blends to create unique sonic textures.
- Consider a brief 'reset' moment with a melodic breakdown to enhance the next energy build.
- Maintain the excellent gain staging observed in this segment.
- Continue to prioritize long-form EQ blending to maintain the hypnotic state.
- Experiment with slightly more aggressive filter work during the final 5 minutes to add a modern touch to the descent.
- Maintain the high standard of track selection that defines the Bedrock brand.
Curious how your own set scores?
Methodology and limitations
This report is produced automatically from the published recording. It measures what is present in the audio file: a bad source encoding, a partial upload or a heavily processed broadcast version can change the measured values. Nothing here reflects the room, the crowd or the night itself.
Read the full SOONOS methodology →Questions about this analysis
- What score does John Digweed's John Digweed - Transitions 1060 (Best of Bedrock 2 hour Special) get?
- John Digweed - Transitions 1060 (Best of Bedrock 2 hour Special) scores 90/100 in the SOONOS Mix Database (reference level), based on audio measurement plus multi-agent listening.
- How long is John Digweed - Transitions 1060 (Best of Bedrock 2 hour Special)?
- The analysed recording runs 2h 00m.
- Which part of the mix scores best?
- IDENTITY is the strongest category at 97/100, while SURPRISE is the lowest at 87/100.
- How is this score calculated?
- SOONOS measures the audio with a DSP pass (beat grid, loudness, tempo, energy) and runs a multi-agent listening pass on top. Measured axes always override the listening layer, so an execution issue heard in the file caps the final score.
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