Four Tet — 1234567890qwertyuiopasdfghjklzxcvbnm (DJ mix JAN 2014)

    Indie House · 1h 07m · analysed 19 Aug 2026 · source: soundcloud.com

    Overall score
    67/100
    Level
    developing
    Duration
    1h 07m
    Genre
    Indie House

    Public mix analysis — no affiliation or endorsement. This report measures a publicly available recording hosted on soundcloud.com. The scores are produced by SOONOS and do not imply any partnership with, or approval by, Four Tet.

    In short

    1234567890qwertyuiopasdfghjklzxcvbnm (DJ mix JAN 2014) by Four Tet scores 67/100 in the SOONOS analysis (developing). The strongest dimension is TECHNIQUE (82/100) and the weakest is SURPRISE (65/100).

    This DJ understands that in techno, the space between the beats is as important as the beats themselves, showing great technical maturity.

    Key takeaways

    What weakened the set

    • Recurring mid-frequency clash (2×) — Mid-range buildup muddies the soundstage and washes out vocals/synths during transitions. Detected 2× (9:45, 28:40).
    • Repeated volume jumps (2×) — Gain-staging mismatches break perceived continuity and force the crowd to readjust. Detected 2× (19:40, 28:40).
    • Slow recovery after transitions (3×) — Long perceptual recovery means the energy line dips on every blend. Detected 3× (9:45, 19:40, 28:40).
    • Long static loops (1×) — Sections sitting on the same loop without layering, EQ moves or tension shifts (17:00). Long loops kill dancefloor momentum.

    What to try next

    • Increase dynamic range by using more dramatic EQ cuts before transitions.
    • Introduce melodic elements or vocal snippets to create 'anchor points' in the mix.
    • Experiment with shorter, more frequent transitions to increase the narrative pace.
    • Use FX like delay or reverb on percussion to add spatial depth to the industrial sound.

    Timestamped insights

    Each moment below is tagged with how it was produced: “measured” comes from the DSP pass on the audio, “listening” comes from the multi-agent listening pass.

    • 5:22Measured (DSP)82/100Listen at 5:22

      Smooth transition where the incoming kick replaces the outgoing one seamlessly on the phrase.

    • 9:45Measured (DSP)75/100Listen at 9:45

      Effective use of filtering to clear space for the next track's percussion.

    • 15:15Measured (DSP)85/100Listen at 15:15

      Very smooth transition, tracks are perfectly in phase. The percussive elements mesh well.

    • 19:40Measured (DSP)68/100Listen at 19:40

      Slightly abrupt energy shift. The incoming track has a much brighter top end that wasn't fully compensated for.

    • 24:15Measured (DSP)85/100Listen at 24:15

      Smooth transition with excellent frequency management.

    • 28:40Measured (DSP)72/100Listen at 28:40

      Slightly abrupt transition that causes a minor energy dip.

    About this indie house set

    1234567890qwertyuiopasdfghjklzxcvbnm (DJ mix JAN 2014) is a indie house DJ set by Four Tet, running 1h 07m. It was measured by the SOONOS multi-agent engine and scores 67/100 overall — developing.

    The engine files this performance as “Promising”.

    This DJ understands that in techno, the space between the beats is as important as the beats themselves, showing great technical maturity.

    How the score breaks down

    SOONOS scores this set across 5 weighted categories. The strongest is TECHNIQUE at 82/100; the weakest is SURPRISE at 65/100.

    Analysis coverage for this file is 100% — the share of the set the engine could measure with full confidence.

    Energy and structure

    The energy curve was sampled at 24 points, moving between 65 and 85 on the SOONOS energy scale — a moderate dynamic range across the set.

    6 transitions were detected and scored individually.

    Beat-grid measurement (DSP) reports 510.3 grid breaks per hour, with a median beat offset of 20 ms.

    How this score is built

    Measured layer (DSP): the audio file is analysed directly — beat grid, tempo stability, loudness and energy. These values are measurements, not opinions.

    Listening layer: a multi-agent pass reads musical intent — programming, storytelling, coherence and crowd effect. This layer interprets, it does not measure.

    Fusion and ceilings: the two layers are merged, and the measured layer always wins on execution. When the DSP hears an execution problem, it caps the final score even if the listening layer is positive.

    Measured coverage for this file is 100% of the set.

    Listen to the original set

    Full SOONOS analysis

    0

    This DJ understands that in techno, the space between the beats is as important as the beats themselves, showing great technical maturity.

    The 8 dimensions

    Not available — the 8-dimension profile was not measured for this set.

    Score breakdown

    TECHNIQUE

    How well did you execute?

    25%82
    Beat Alignmentmeasured82
    Transition Qualitymeasured82
    Phrase Accuracymeasured80
    EQ & Frequency Control (estimated)measured78
    Tempo Stability (estimated)measured87
    Technical Cleanlinessmeasured80

    STORYTELLING

    Did the mix go somewhere?

    25%72
    Narrative ArcAI76
    ProgressionAI72
    Tension & ReleaseAI65
    Section AwarenessAI71
    Flow ContinuityAI82
    PayoffAI68

    ENERGY

    Did you control the room?

    20%68
    Energy Curvemeasured60
    PacingAI71
    MomentumAI81
    Peak ManagementAI64
    Energy HandoffAI73
    Fatigue ControlAI55

    SURPRISE

    Did you remain unpredictable?

    15%65
    Unexpected MomentsAI60
    ContrastAI67
    Transition Varietymeasured82
    Selection RiskAI58
    FreshnessAI50
    Surprise ControlAI60

    IDENTITY

    Did the mix sound like you?

    15%76
    Selection QualityAI70
    Identity ConsistencyAI91
    IntentionalityAI73
    ConfidenceAI76
    RestraintAI77
    SignatureAI60

    Energy arc

    0:0056:00

    Transitions analysed (6)

    5:22

    Long EQ blend with low-end swap

    Smooth transition where the incoming kick replaces the outgoing one seamlessly on the phrase.

    82
    9:45

    High-pass filter transition

    Effective use of filtering to clear space for the next track's percussion.

    75
    15:15

    Long EQ blend with low-end swap

    Very smooth transition, tracks are perfectly in phase. The percussive elements mesh well.

    85
    19:40

    Quick mid-range swap

    Slightly abrupt energy shift. The incoming track has a much brighter top end that wasn't fully compensated for.

    68
    24:15

    Long EQ blend

    Smooth transition with excellent frequency management.

    85
    28:40

    Quick EQ swap

    Slightly abrupt transition that causes a minor energy dip.

    72

    Technical subscores

    78

    EQ balance

    85

    Beat alignment

    75

    Energy control

    87

    Tempo stability

    78

    Loudness control

    76

    Musical coherence

    75

    Harmonic compatibility

    80

    Transition cleanliness

    Measured (DSP)

    20 ms

    Beat-grid drift (median)

    Typical gap between the two tracks' beats while they play together. Lower is tighter.

    225 ms

    Drift p95

    Worst-case drift: 95% of the set stays tighter than this value.

    4,022

    Boundaries detected

    Points where the audio changes track or section.

    25

    Hard cuts / h

    Abrupt track changes per hour, with no blend between the two records.

    96

    Clipping events

    Moments where the recording hits the ceiling and distorts.

    207

    Level jumps

    Sudden volume steps between tracks.

    Measurement confidence 100% · analysed on the full audio.

    Recurring patterns

    • Recurring mid-frequency clash

      Mid-range buildup muddies the soundstage and washes out vocals/synths during transitions. Detected 2× (9:45, 28:40).

    • Repeated volume jumps

      Gain-staging mismatches break perceived continuity and force the crowd to readjust. Detected 2× (19:40, 28:40).

    • Slow recovery after transitions

      Long perceptual recovery means the energy line dips on every blend. Detected 3× (9:45, 19:40, 28:40).

    • Long static loops (1×)

      Sections sitting on the same loop without layering, EQ moves or tension shifts (17:00). Long loops kill dancefloor momentum.

    Timeline

    • 2:15Groove Lock Established
    • 7:40Energy Plateau
    • 19:40Risky pressure or vibe dip
    • 26:50Groove Lock
    • 30:15Energy Plateau
    • 28:40Risky pressure or vibe dip

    Coaching notes

    • Increase dynamic range by using more dramatic EQ cuts before transitions.
    • Introduce melodic elements or vocal snippets to create 'anchor points' in the mix.
    • Experiment with shorter, more frequent transitions to increase the narrative pace.
    • Use FX like delay or reverb on percussion to add spatial depth to the industrial sound.
    • Use longer, more dramatic filter sweeps to build tension.
    • Introduce tracks with recognizable hooks to increase crowd engagement.
    • Vary the energy levels more significantly to create a more compelling narrative arc.
    Listen on SoundCloud

    Curious how your own set scores?

    Methodology and limitations

    This report is produced automatically from the published recording. It measures what is present in the audio file: a bad source encoding, a partial upload or a heavily processed broadcast version can change the measured values. Nothing here reflects the room, the crowd or the night itself.

    Read the full SOONOS methodology →

    Questions about this analysis

    What score does Four Tet's 1234567890qwertyuiopasdfghjklzxcvbnm (DJ mix JAN 2014) get?
    1234567890qwertyuiopasdfghjklzxcvbnm (DJ mix JAN 2014) scores 67/100 in the SOONOS Mix Database (developing), based on audio measurement plus multi-agent listening.
    How long is 1234567890qwertyuiopasdfghjklzxcvbnm (DJ mix JAN 2014)?
    The analysed recording runs 1h 07m.
    Which part of the mix scores best?
    TECHNIQUE is the strongest category at 82/100, while SURPRISE is the lowest at 65/100.
    How is this score calculated?
    SOONOS measures the audio with a DSP pass (beat grid, loudness, tempo, energy) and runs a multi-agent listening pass on top. Measured axes always override the listening layer, so an execution issue heard in the file caps the final score.

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