Derrick Carter — Lost In Bass 483: DERRICK CARTER & JO MINEAULT
House · 2h 00m · analysed 19 Aug 2026
About this house set
Lost In Bass 483: DERRICK CARTER & JO MINEAULT is a house DJ set by Derrick Carter, running 2h 00m. It was measured by the SOONOS multi-agent engine and scores 60/100 overall — developing.
The engine files this performance as “Promising”.
This DJ understands that the space between the beats is just as important as the beats themselves.
How the score breaks down
SOONOS scores this set across 5 weighted categories. The strongest is IDENTITY at 90/100; the weakest is SURPRISE at 80/100.
The final score is capped by measured bm: the DSP layer overrides the listening layer whenever it measures an execution issue directly in the audio.
Analysis coverage for this file is 100% — the share of the set the engine could measure with full confidence.
Energy and structure
The energy curve was sampled at 53 points, moving between 10 and 94 on the SOONOS energy scale — a wide dynamic range across the set.
7 transitions were detected and scored individually.
Beat-grid measurement (DSP) reports 487.3 grid breaks per hour, with a median beat offset of 30 ms.
Full SOONOS analysis
This DJ understands that the space between the beats is just as important as the beats themselves.
The 8 dimensions
Score breakdown
TECHNIQUE
How well did you execute?
25%80
TECHNIQUE
How well did you execute?
STORYTELLING
Did the mix go somewhere?
25%86
STORYTELLING
Did the mix go somewhere?
ENERGY
Did you control the room?
20%83
ENERGY
Did you control the room?
SURPRISE
Did you remain unpredictable?
15%80
SURPRISE
Did you remain unpredictable?
IDENTITY
Did the mix sound like you?
15%90
IDENTITY
Did the mix sound like you?
Final score capped by measured execution (bm) — weighted average was 83.
Energy arc
Transitions analysed (7)
Crossfade from spoken intro to cinematic track
Perfectly timed transition from the host's voice into the musical atmosphere.
Long EQ blend into rolling house groove
Smooth introduction of the percussive elements under the cinematic pads.
Long EQ blend
Very smooth transition, excellent management of the low-end handover.
Filter sweep blend
Effective use of high-pass filtering to mask the incoming track's entry.
Bass swap on phrase
Clean bass swap exactly on the 32-bar phrase boundary.
EQ blend with high-pass filter
Smooth transition, though the incoming track's mids were slightly dominant early on.
Long blend with low-end swap on phrase
Perfectly executed handover. The groove never wavered.
Technical subscores
85
EQ balance
89
Beat alignment
86
Energy control
90
Tempo stability
85
Loudness control
88
Musical coherence
83
Harmonic compatibility
86
Transition cleanliness
Measured (DSP)
30.1 ms
Beat-grid drift (median)
157.8 ms
Drift p95
7,182
Boundaries detected
64
Hard cuts / h
25
Clipping events
417
Level jumps
Measurement confidence 100% · analysed on the full audio.
Recurring patterns
Long static loops (6×)
Sections sitting on the same loop without layering, EQ moves or tension shifts (8:00, 14:00, 18:00, 22:00, 25:30, 30:00). Long loops kill dancefloor momentum.
Beat alignment needs work — typical drift of 30 ms
Measured median beat-grid drift is 30 ms across the transitions. Reference: pro ≤ 25 ms, needs work 30-42 ms, must be reworked > 42 ms. Above ~30 ms the kick flams and dancers feel the blend slipping.
Timeline
- 00:05Radio Intro
- 06:45Atmospheric Peak
- 11:20Groove Lock
- 15:45Groove Lock
- 20:10Energy Plateau
- 27:30Groove Lock
Curious how your own set scores?
Questions about this analysis
- What score does Derrick Carter's Lost In Bass 483: DERRICK CARTER & JO MINEAULT get?
- Lost In Bass 483: DERRICK CARTER & JO MINEAULT scores 60/100 in the SOONOS Mix Database (developing), based on audio measurement plus multi-agent listening.
- How long is Lost In Bass 483: DERRICK CARTER & JO MINEAULT?
- The analysed recording runs 2h 00m.
- Which part of the mix scores best?
- IDENTITY is the strongest category at 90/100, while SURPRISE is the lowest at 80/100.
- How is this score calculated?
- SOONOS measures the audio with a DSP pass (beat grid, loudness, tempo, energy) and runs a multi-agent listening pass on top. Measured axes always override the listening layer, so an execution issue heard in the file caps the final score.
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