Damian LazarusDamian Lazarus @ The Bunker Afterhours, Los Angeles - August 2010

    Indie House · 1h 57m · analysed 21 Aug 2026

    Overall score
    74/100
    Level
    solid
    Duration
    1h 57m
    Genre
    Indie House

    About this indie house set

    Damian Lazarus @ The Bunker Afterhours, Los Angeles - August 2010 is a indie house DJ set by Damian Lazarus, running 1h 57m. It was measured by the SOONOS multi-agent engine and scores 74/100 overall — solid.

    The engine files this performance as “Promising”.

    This DJ understands that silence and space are as important as the notes themselves in creating a hypnotic journey.

    How the score breaks down

    SOONOS scores this set across 5 weighted categories. The strongest is IDENTITY at 94/100; the weakest is TECHNIQUE at 82/100.

    The final score is capped by measured bm: the DSP layer overrides the listening layer whenever it measures an execution issue directly in the audio.

    Analysis coverage for this file is 100% — the share of the set the engine could measure with full confidence.

    Energy and structure

    The energy curve was sampled at 58 points, moving between 60 and 85 on the SOONOS energy scale — a moderate dynamic range across the set.

    5 transitions were detected and scored individually.

    Beat-grid measurement (DSP) reports 482.2 grid breaks per hour, with a median beat offset of 28 ms.

    Listen to the original set

    Full SOONOS analysis

    TECSELNRGCRWHRMGRVCRESIG
    0

    This DJ understands that silence and space are as important as the notes themselves in creating a hypnotic journey.

    The 8 dimensions

    Technical precision0
    Track selection0
    Energy arc0
    Crowd control0
    Harmonic depth0
    Groove patience0
    Creativity0
    Signature0

    Score breakdown

    TECHNIQUE

    How well did you execute?

    25%82
    Beat Alignmentmeasured65
    Transition Qualitymeasured88
    Phrase Accuracymeasured92
    EQ & Frequency Control (estimated)measured87
    Tempo Stability (estimated)measured92
    Technical Cleanlinessmeasured55

    STORYTELLING

    Did the mix go somewhere?

    25%89
    Narrative ArcAI92
    ProgressionAI89
    Tension & ReleaseAI86
    Section AwarenessAI90
    Flow ContinuityAI93
    PayoffAI82

    ENERGY

    Did you control the room?

    20%87
    Energy Curvemeasured87
    PacingAI93
    MomentumAI90
    Peak ManagementAI86
    Energy HandoffAI87
    Fatigue ControlAI68

    SURPRISE

    Did you remain unpredictable?

    15%85
    Unexpected MomentsAI84
    ContrastAI87
    Transition Varietymeasured92
    Selection RiskAI87
    FreshnessAI67
    Surprise ControlAI84

    IDENTITY

    Did the mix sound like you?

    15%94
    Selection QualityAI92
    Identity ConsistencyAI96
    IntentionalityAI95
    ConfidenceAI93
    RestraintAI92
    SignatureAI95

    Final score capped by measured execution (bm) — weighted average was 87.

    Energy arc

    12:00116:40

    Transitions analysed (5)

    4:15

    Long EQ blend, gradual introduction of lows.

    An invisible transition that perfectly maintains the hypnotic flow.

    92
    8:45

    Percussive layering with mid-range EQ swap.

    Smooth transition into a more driving track, energy handoff is perfect.

    88
    13:00

    Long EQ blend with low-end swap

    Perfectly executed long blend where the incoming percussion subtly replaces the outgoing groove.

    92
    19:30

    Melodic layering and filter fade

    Smooth transition focusing on the mid-range frequencies, allowing the melodic elements to intertwine.

    90
    23:42

    Long EQ blend with subtle low-end handover

    A masterfully executed transition that maintains the hypnotic vocal atmosphere while introducing a new rhythmic layer.

    92

    Technical subscores

    87

    EQ balance

    92

    Beat alignment

    86

    Energy control

    92

    Tempo stability

    85

    Loudness control

    90

    Musical coherence

    91

    Harmonic compatibility

    90

    Transition cleanliness

    Measured (DSP)

    28.2 ms

    Beat-grid drift (median)

    144.8 ms

    Drift p95

    6,982

    Boundaries detected

    22

    Hard cuts / h

    0

    Clipping events

    426

    Level jumps

    Measurement confidence 100% · analysed on the full audio.

    Recurring patterns

    • Long static loops (6×)

      Sections sitting on the same loop without layering, EQ moves or tension shifts (27:45, 33:00, 42:00, 52:00, 58:00, 66:00). Long loops kill dancefloor momentum.

    What SOONOS heard

    • Masterful narrative pacing.
    • Strong, recognizable artistic identity.
    • Relentless, hypnotic groove continuity.

    Timeline

    • 0:00Atmospheric Opening
    • 6:30Groove Lock
    • 15:20Groove Lock
    • 21:45Atmospheric Shift
    • 27:48Vocal Peak
    • 29:30Atmospheric Saturation

    Coaching notes

    • Continue to explore long, evolving blends as they are a core strength.
    • Experiment with more dramatic rhythmic resets to create moments of high impact.
    • Incorporate more varied organic textures to further distinguish the artistic signature.
    • Experiment with adding a third deck for subtle, long-running atmospheric loops.
    • Use more aggressive high-pass filtering during transitions to clear space for new elements.
    • Introduce a completely unexpected genre-bending element briefly to reset the listener's ear.
    Listen on SoundCloud

    Curious how your own set scores?

    Questions about this analysis

    What score does Damian Lazarus's Damian Lazarus @ The Bunker Afterhours, Los Angeles - August 2010 get?
    Damian Lazarus @ The Bunker Afterhours, Los Angeles - August 2010 scores 74/100 in the SOONOS Mix Database (solid), based on audio measurement plus multi-agent listening.
    How long is Damian Lazarus @ The Bunker Afterhours, Los Angeles - August 2010?
    The analysed recording runs 1h 57m.
    Which part of the mix scores best?
    IDENTITY is the strongest category at 94/100, while TECHNIQUE is the lowest at 82/100.
    How is this score calculated?
    SOONOS measures the audio with a DSP pass (beat grid, loudness, tempo, energy) and runs a multi-agent listening pass on top. Measured axes always override the listening layer, so an execution issue heard in the file caps the final score.

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