Chris Avantgarde — DCR778 – Drumcode Radio Live - Adam Beyer & Chris Avantgarde live from Lamercedes, Barcelona
Melodic Techno · 2h 01m · analysed 22 Aug 2026 · source: soundcloud.com
Public mix analysis — no affiliation or endorsement. This report measures a publicly available recording hosted on soundcloud.com. The scores are produced by SOONOS and do not imply any partnership with, or approval by, Chris Avantgarde.
In short
DCR778 – Drumcode Radio Live - Adam Beyer & Chris Avantgarde live from Lamercedes, Barcelona by Chris Avantgarde scores 88/100 in the SOONOS analysis (festival ready). The strongest dimension is IDENTITY (95/100) and the weakest is SURPRISE (86/100).
Mastery is often found in the transitions you don't notice.
Key takeaways
What weakened the set
- Long static loops (6×) — Sections sitting on the same loop without layering, EQ moves or tension shifts (5:30, 28:00, 66:00, 75:00, 80:15, 88:00). Long loops kill dancefloor momentum.
What to try next
- Experiment with more dramatic energy resets to create higher contrast.
- Introduce more unexpected melodic elements to further distinguish the artistic voice.
- Maintain the current level of technical precision; it is world-class.
- Maintain the excellent balance between driving percussion and melodic leads.
Timestamped insights
Each moment below is tagged with how it was produced: “measured” comes from the DSP pass on the audio, “listening” comes from the multi-agent listening pass.
Seamless integration of the new kick pattern, maintaining perfect phase alignment.
Smooth transition of melodic elements, avoiding any frequency masking.
Seamless integration of the incoming track's percussion over the outgoing bassline.
Effective use of tension building through filtering, leading into a powerful rhythmic drop.
Perfectly executed transition; the new bassline takes over without any phase cancellation.
High energy handoff; the transition itself acts as a rhythmic build-up.
About this melodic techno set
DCR778 – Drumcode Radio Live - Adam Beyer & Chris Avantgarde live from Lamercedes, Barcelona is a melodic techno DJ set by Chris Avantgarde, running 2h 01m. It was measured by the SOONOS multi-agent engine and scores 88/100 overall — festival ready.
The engine files this performance as “Promising”.
Mastery is often found in the transitions you don't notice.
How the score breaks down
SOONOS scores this set across 5 weighted categories. The strongest is IDENTITY at 95/100; the weakest is SURPRISE at 86/100.
Analysis coverage for this file is 100% — the share of the set the engine could measure with full confidence.
Energy and structure
The energy curve was sampled at 45 points, moving between 40 and 95 on the SOONOS energy scale — a wide dynamic range across the set.
6 transitions were detected and scored individually.
Beat-grid measurement (DSP) reports 972.3 grid breaks per hour, with a median beat offset of 19 ms.
How this score is built
Measured layer (DSP): the audio file is analysed directly — beat grid, tempo stability, loudness and energy. These values are measurements, not opinions.
Listening layer: a multi-agent pass reads musical intent — programming, storytelling, coherence and crowd effect. This layer interprets, it does not measure.
Fusion and ceilings: the two layers are merged, and the measured layer always wins on execution. When the DSP hears an execution problem, it caps the final score even if the listening layer is positive.
Measured coverage for this file is 100% of the set.
Full SOONOS analysis
Mastery is often found in the transitions you don't notice.
The 8 dimensions
Not available — the 8-dimension profile was not measured for this set.
Score breakdown
TECHNIQUE
How well did you execute?
25%87
TECHNIQUE
How well did you execute?
STORYTELLING
Did the mix go somewhere?
25%92
STORYTELLING
Did the mix go somewhere?
ENERGY
Did you control the room?
20%89
ENERGY
Did you control the room?
SURPRISE
Did you remain unpredictable?
15%86
SURPRISE
Did you remain unpredictable?
IDENTITY
Did the mix sound like you?
15%95
IDENTITY
Did the mix sound like you?
Energy arc
Transitions analysed (6)
Long EQ blend with low-end swap
Seamless integration of the new kick pattern, maintaining perfect phase alignment.
Mid-range frequency handover
Smooth transition of melodic elements, avoiding any frequency masking.
Long EQ blend with low-end swap
Seamless integration of the incoming track's percussion over the outgoing bassline.
High-pass filter sweep into a drop
Effective use of tension building through filtering, leading into a powerful rhythmic drop.
Long EQ blend with low-end swap
Perfectly executed transition; the new bassline takes over without any phase cancellation.
Layered percussion build into drop
High energy handoff; the transition itself acts as a rhythmic build-up.
Technical subscores
91
EQ balance
95
Beat alignment
91
Energy control
97
Tempo stability
91
Loudness control
93
Musical coherence
90
Harmonic compatibility
91
Transition cleanliness
Measured (DSP)
19 ms
Beat-grid drift (median)
Typical gap between the two tracks' beats while they play together. Lower is tighter.
242 ms
Drift p95
Worst-case drift: 95% of the set stays tighter than this value.
7,258
Boundaries detected
Points where the audio changes track or section.
57
Hard cuts / h
Abrupt track changes per hour, with no blend between the two records.
99
Clipping events
Moments where the recording hits the ceiling and distorts.
257
Level jumps
Sudden volume steps between tracks.
Measurement confidence 100% · analysed on the full audio.
Recurring patterns
Long static loops (6×)
Sections sitting on the same loop without layering, EQ moves or tension shifts (5:30, 28:00, 66:00, 75:00, 80:15, 88:00). Long loops kill dancefloor momentum.
Timeline
- 04:30The Layering Masterclass
- 09:12Tension Peak
- 12:15Groove Lock
- 17:30Atmospheric Shift
- 25:30Groove Lock Peak
- 29:45Tension Plateau
Coaching notes
- Experiment with more dramatic energy resets to create higher contrast.
- Introduce more unexpected melodic elements to further distinguish the artistic voice.
- Maintain the current level of technical precision; it is world-class.
- Maintain the excellent balance between driving percussion and melodic leads.
- Continue using long, transparent blends for emotional transitions.
- Experiment with slightly more dramatic silence in breakdowns for even higher impact.
Curious how your own set scores?
Methodology and limitations
This report is produced automatically from the published recording. It measures what is present in the audio file: a bad source encoding, a partial upload or a heavily processed broadcast version can change the measured values. Nothing here reflects the room, the crowd or the night itself.
Read the full SOONOS methodology →Questions about this analysis
- What score does Chris Avantgarde's DCR778 – Drumcode Radio Live - Adam Beyer & Chris Avantgarde live from Lamercedes, Barcelona get?
- DCR778 – Drumcode Radio Live - Adam Beyer & Chris Avantgarde live from Lamercedes, Barcelona scores 88/100 in the SOONOS Mix Database (festival ready), based on audio measurement plus multi-agent listening.
- How long is DCR778 – Drumcode Radio Live - Adam Beyer & Chris Avantgarde live from Lamercedes, Barcelona?
- The analysed recording runs 2h 01m.
- Which part of the mix scores best?
- IDENTITY is the strongest category at 95/100, while SURPRISE is the lowest at 86/100.
- How is this score calculated?
- SOONOS measures the audio with a DSP pass (beat grid, loudness, tempo, energy) and runs a multi-agent listening pass on top. Measured axes always override the listening layer, so an execution issue heard in the file caps the final score.
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