Black CoffeeBLACK COFFEE @ POSH, Floriánópolis BRASIL (128 Kbps)

    Afro House · 2h 10m · analysed 18 Aug 2026

    Overall score
    85/100
    Level
    festival ready
    Duration
    2h 10m
    Genre
    Afro House

    About this afro house set

    BLACK COFFEE @ POSH, Floriánópolis BRASIL (128 Kbps) is a afro house DJ set by Black Coffee, running 2h 10m. It was measured by the SOONOS multi-agent engine and scores 85/100 overall — festival ready.

    The engine files this performance as “Promising”.

    The DJ treats the mix as a single, evolving rhythmic organism rather than a sequence of tracks.

    How the score breaks down

    SOONOS scores this set across 5 weighted categories. The strongest is IDENTITY at 95/100; the weakest is TECHNIQUE at 82/100.

    The final score is capped by measured -: the DSP layer overrides the listening layer whenever it measures an execution issue directly in the audio.

    Analysis coverage for this file is 100% — the share of the set the engine could measure with full confidence.

    Energy and structure

    The energy curve was sampled at 71 points, moving between 40 and 95 on the SOONOS energy scale — a wide dynamic range across the set.

    5 transitions were detected and scored individually.

    Beat-grid measurement (DSP) reports 647.7 grid breaks per hour, with a median beat offset of 25 ms.

    Listen to the original set

    Full SOONOS analysis

    TECSELNRGCRWHRMGRVCRESIG
    0

    The DJ treats the mix as a single, evolving rhythmic organism rather than a sequence of tracks.

    The 8 dimensions

    Technical precision0
    Track selection0
    Energy arc0
    Crowd control0
    Harmonic depth0
    Groove patience0
    Creativity0
    Signature0

    Score breakdown

    TECHNIQUE

    How well did you execute?

    25%82
    Beat Alignmentmeasured74
    Transition Qualitymeasured68
    Phrase Accuracymeasured93
    EQ & Frequency Control (estimated)measured88
    Tempo Stability (estimated)measured94
    Technical Cleanlinessmeasured73

    STORYTELLING

    Did the mix go somewhere?

    25%90
    Narrative ArcAI93
    ProgressionAI89
    Tension & ReleaseAI86
    Section AwarenessAI91
    Flow ContinuityAI94
    PayoffAI87

    ENERGY

    Did you control the room?

    20%86
    Energy Curvemeasured89
    PacingAI94
    MomentumAI93
    Peak ManagementAI88
    Energy HandoffAI89
    Fatigue ControlAI43

    SURPRISE

    Did you remain unpredictable?

    15%83
    Unexpected MomentsAI83
    ContrastAI86
    Transition Varietymeasured94
    Selection RiskAI89
    FreshnessAI42
    Surprise ControlAI83

    IDENTITY

    Did the mix sound like you?

    15%95
    Selection QualityAI94
    Identity ConsistencyAI97
    IntentionalityAI95
    ConfidenceAI95
    RestraintAI92
    SignatureAI95

    Final score capped by measured execution (-) — weighted average was 87.

    Energy arc

    00:00130:00

    Transitions analysed (5)

    05:45

    Long EQ blend with low-end swap

    Invisible transition; the percussive elements bridge the two tracks perfectly.

    95
    10:12

    Percussive layering blend

    Smooth introduction of new rhythmic elements while maintaining the vocal energy.

    92
    14:22

    Long EQ blend with low-end swap

    Masterful handover of the groove; the transition is felt rather than heard.

    92
    19:45

    Melodic layering and filter fade

    Smooth integration of melodic elements, maintaining harmonic coherence.

    88
    26:15

    Long EQ blend with low-end handover

    A masterclass in patience. The new track's percussion is introduced so subtly it feels like a natural progression of the first track.

    95

    Technical subscores

    88

    EQ balance

    93

    Beat alignment

    87

    Energy control

    94

    Tempo stability

    87

    Loudness control

    91

    Musical coherence

    91

    Harmonic compatibility

    90

    Transition cleanliness

    Measured (DSP)

    25.4 ms

    Beat-grid drift (median)

    258.4 ms

    Drift p95

    7,793

    Boundaries detected

    85

    Hard cuts / h

    0

    Clipping events

    707

    Level jumps

    Measurement confidence 100% · analysed on the full audio.

    Recurring patterns

    • Long static loops (6×)

      Sections sitting on the same loop without layering, EQ moves or tension shifts (20:00, 24:00, 28:00, 36:00, 44:00, 47:00). Long loops kill dancefloor momentum.

    Timeline

    • 06:20Vocal Peak
    • 09:45Percussive Climax
    • 16:15Groove Lock
    • 22:40Energy Plateau
    • 28:50Vocal Integration

    Coaching notes

    • Continue to master the art of long, percussive blends as they are a core strength.
    • Experiment with brief, high-pass filter breakdowns to create more dynamic tension/release cycles.
    • Incorporate more live-sounding percussive elements to further enhance the organic feel of the Afro-house style.
    • Continue to leverage long, stem-style blends as they are a signature strength.
    • Experiment with more dramatic high-pass filter sweeps to create sharper tension releases.
    • Ensure the sub-bass frequencies are strictly managed during 32+ bar overlaps to avoid mud.
    • Consider adding a few more 'dry' percussive elements to contrast the lush, organic textures.
    Listen on SoundCloud

    Curious how your own set scores?

    Questions about this analysis

    What score does Black Coffee's BLACK COFFEE @ POSH, Floriánópolis BRASIL (128 Kbps) get?
    BLACK COFFEE @ POSH, Floriánópolis BRASIL (128 Kbps) scores 85/100 in the SOONOS Mix Database (festival ready), based on audio measurement plus multi-agent listening.
    How long is BLACK COFFEE @ POSH, Floriánópolis BRASIL (128 Kbps)?
    The analysed recording runs 2h 10m.
    Which part of the mix scores best?
    IDENTITY is the strongest category at 95/100, while TECHNIQUE is the lowest at 82/100.
    How is this score calculated?
    SOONOS measures the audio with a DSP pass (beat grid, loudness, tempo, energy) and runs a multi-agent listening pass on top. Measured axes always override the listening layer, so an execution issue heard in the file caps the final score.

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