Bassnectar — Bassnectar - Mesmerizing The Ultra [2005]

    MID Tempo Bass · 1h 20m · analysed 20 Aug 2026 · source: soundcloud.com

    Overall score
    84/100
    Level
    club ready
    Duration
    1h 20m
    Genre
    MID Tempo Bass

    Public mix analysis — no affiliation or endorsement. This report measures a publicly available recording hosted on soundcloud.com. The scores are produced by SOONOS and do not imply any partnership with, or approval by, Bassnectar.

    In short

    Bassnectar - Mesmerizing The Ultra [2005] by Bassnectar scores 84/100 in the SOONOS analysis (club ready). The strongest dimension is IDENTITY (94/100) and the weakest is TECHNIQUE (84/100).

    The engine files this performance as “Promising”.

    Key takeaways

    What weakened the set

    • Long static loops (5×) — Sections sitting on the same loop without layering, EQ moves or tension shifts (25:00, 29:00, 46:00, 53:45, 59:00). Long loops kill dancefloor momentum.

    What to try next

    • Experiment with more aggressive rhythmic pivots to surprise the listener.
    • Utilize brief moments of silence to reset the listener's ears before major drops.
    • Continue to push the boundaries of harmonic layering during transitions.

    Timestamped insights

    Each moment below is tagged with how it was produced: “measured” comes from the DSP pass on the audio, “listening” comes from the multi-agent listening pass.

    • 4:22Measured (DSP)92/100Listen at 4:22

      The transition is almost invisible, tracks share the same tonal space perfectly.

    • 9:45Measured (DSP)88/100Listen at 9:45

      Clean handover of the drum pattern, maintaining the energy flow.

    • 11:45Measured (DSP)100/100Listen at 11:45

      Intentional reset

    • 23:45Measured (DSP)92/100Listen at 23:45

      Perfectly executed transition that maintains the hypnotic flow without a hint of drift.

    • 28:00Measured (DSP)85/100Listen at 28:00

      A creative blend that uses frequency isolation to introduce new elements seamlessly.

    About this mid tempo bass set

    Bassnectar - Mesmerizing The Ultra [2005] is a mid tempo bass DJ set by Bassnectar, running 1h 20m. It was measured by the SOONOS multi-agent engine and scores 84/100 overall — club ready.

    The engine files this performance as “Promising”.

    How the score breaks down

    SOONOS scores this set across 5 weighted categories. The strongest is IDENTITY at 94/100; the weakest is TECHNIQUE at 84/100.

    Analysis coverage for this file is 100% — the share of the set the engine could measure with full confidence.

    Energy and structure

    The energy curve was sampled at 25 points, moving between 20 and 90 on the SOONOS energy scale — a wide dynamic range across the set.

    7 transitions were detected and scored individually.

    Beat-grid measurement (DSP) reports 815.7 grid breaks per hour, with a median beat offset of 21 ms.

    How this score is built

    Measured layer (DSP): the audio file is analysed directly — beat grid, tempo stability, loudness and energy. These values are measurements, not opinions.

    Listening layer: a multi-agent pass reads musical intent — programming, storytelling, coherence and crowd effect. This layer interprets, it does not measure.

    Fusion and ceilings: the two layers are merged, and the measured layer always wins on execution. When the DSP hears an execution problem, it caps the final score even if the listening layer is positive.

    Measured coverage for this file is 100% of the set.

    Listen to the original set

    Full SOONOS analysis

    0

    The 8 dimensions

    Not available — the 8-dimension profile was not measured for this set.

    Score breakdown

    TECHNIQUE

    How well did you execute?

    25%84
    Beat Alignmentmeasured80
    Transition Qualitymeasured70
    Phrase Accuracymeasured92
    EQ & Frequency Control (estimated)measured88
    Tempo Stability (estimated)measured95
    Technical Cleanlinessmeasured80

    STORYTELLING

    Did the mix go somewhere?

    25%90
    Narrative ArcAI94
    ProgressionAI89
    Tension & ReleaseAI88
    Section AwarenessAI91
    Flow ContinuityAI94
    PayoffAI82

    ENERGY

    Did you control the room?

    20%87
    Energy Curvemeasured91
    PacingAI91
    MomentumAI88
    Peak ManagementAI86
    Energy HandoffAI87
    Fatigue ControlAI66

    SURPRISE

    Did you remain unpredictable?

    15%85
    Unexpected MomentsAI83
    ContrastAI86
    Transition Varietymeasured94
    Selection RiskAI87
    FreshnessAI65
    Surprise ControlAI83

    IDENTITY

    Did the mix sound like you?

    15%94
    Selection QualityAI92
    Identity ConsistencyAI97
    IntentionalityAI95
    ConfidenceAI92
    RestraintAI91
    SignatureAI95

    Energy arc

    0:0069:00

    Transitions analysed (7)

    4:22

    Long harmonic blend with EQ sculpting

    The transition is almost invisible, tracks share the same tonal space perfectly.

    92
    9:45

    Phrase-aligned rhythmic swap

    Clean handover of the drum pattern, maintaining the energy flow.

    88
    11:45

    Perfect Evolution

    intentional_reset

    100
    14:20

    Atmospheric Shift

    100
    18:45

    Minor EQ Overlap

    82
    23:45

    Long EQ blend with sub-bass handover

    Perfectly executed transition that maintains the hypnotic flow without a hint of drift.

    92
    28:00

    Melodic layering and filter sweep

    A creative blend that uses frequency isolation to introduce new elements seamlessly.

    85

    Technical subscores

    88

    EQ balance

    95

    Beat alignment

    87

    Energy control

    95

    Tempo stability

    87

    Loudness control

    94

    Musical coherence

    94

    Harmonic compatibility

    91

    Transition cleanliness

    Measured (DSP)

    21 ms

    Beat-grid drift (median)

    Typical gap between the two tracks' beats while they play together. Lower is tighter.

    259 ms

    Drift p95

    Worst-case drift: 95% of the set stays tighter than this value.

    4,803

    Boundaries detected

    Points where the audio changes track or section.

    76

    Hard cuts / h

    Abrupt track changes per hour, with no blend between the two records.

    165

    Clipping events

    Moments where the recording hits the ceiling and distorts.

    830

    Level jumps

    Sudden volume steps between tracks.

    Measurement confidence 100% · analysed on the full audio.

    Recurring patterns

    • Long static loops (5×)

      Sections sitting on the same loop without layering, EQ moves or tension shifts (25:00, 29:00, 46:00, 53:45, 59:00). Long loops kill dancefloor momentum.

    Timeline

    • 0:05Narrative Hook
    • 5:45Rhythmic Drop
    • 9:52Vocal Layering
    • 25:40Vocal Layering Excellence
    • 30:15Rhythmic Peak

    Coaching notes

    • Experiment with more aggressive rhythmic pivots to surprise the listener.
    • Utilize brief moments of silence to reset the listener's ears before major drops.
    • Continue to push the boundaries of harmonic layering during transitions.
    Listen on SoundCloud

    Curious how your own set scores?

    Methodology and limitations

    This report is produced automatically from the published recording. It measures what is present in the audio file: a bad source encoding, a partial upload or a heavily processed broadcast version can change the measured values. Nothing here reflects the room, the crowd or the night itself.

    Read the full SOONOS methodology →

    Questions about this analysis

    What score does Bassnectar's Bassnectar - Mesmerizing The Ultra [2005] get?
    Bassnectar - Mesmerizing The Ultra [2005] scores 84/100 in the SOONOS Mix Database (club ready), based on audio measurement plus multi-agent listening.
    How long is Bassnectar - Mesmerizing The Ultra [2005]?
    The analysed recording runs 1h 20m.
    Which part of the mix scores best?
    IDENTITY is the strongest category at 94/100, while TECHNIQUE is the lowest at 84/100.
    How is this score calculated?
    SOONOS measures the audio with a DSP pass (beat grid, loudness, tempo, energy) and runs a multi-agent listening pass on top. Measured axes always override the listening layer, so an execution issue heard in the file caps the final score.

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