Adam Port — Keinemusik Radio Show 100 live at Else Berlin by &ME, Rampa, Reznik, Adam Port
Afro House · 2h 00m · analysed 21 Aug 2026 · source: soundcloud.com
Public mix analysis — no affiliation or endorsement. This report measures a publicly available recording hosted on soundcloud.com. The scores are produced by SOONOS and do not imply any partnership with, or approval by, Adam Port.
In short
Keinemusik Radio Show 100 live at Else Berlin by &ME, Rampa, Reznik, Adam Port by Adam Port scores 87/100 in the SOONOS analysis (festival ready). The strongest dimension is IDENTITY (95/100) and the weakest is SURPRISE (85/100).
This DJ understands that the space between the tracks is where the real magic happens.
Key takeaways
What weakened the set
- Long static loops (6×) — Sections sitting on the same loop without layering, EQ moves or tension shifts (20:00, 36:00, 45:30, 48:00, 52:30, 60:00). Long loops kill dancefloor momentum.
What to try next
- Maintain the current level of restraint; it sets you apart from amateur DJs.
- Experiment with even longer blends (96+ bars) to further blur the lines between tracks.
- Consider adding a very subtle field recording layer (e.g., city sounds, nature) to deepen the organic atmosphere.
- Continue to trust the long-form blends; they are your greatest technical asset.
Timestamped insights
Each moment below is tagged with how it was produced: “measured” comes from the DSP pass on the audio, “listening” comes from the multi-agent listening pass.
Perfectly executed handover of the sub-frequencies.
Smooth introduction of the vocal element.
Invisible transition. The incoming percussion layers perfectly with the outgoing groove.
Smooth integration of a vocal-led track. The keys are perfectly matched.
A masterfully executed long blend where the incoming percussion is introduced so subtly it feels like a natural progression of the first track.
The transition occurs exactly on the 32-bar boundary with a flawless bass swap that re-energizes the room without a volume spike.
About this afro house set
Keinemusik Radio Show 100 live at Else Berlin by &ME, Rampa, Reznik, Adam Port is a afro house DJ set by Adam Port, running 2h 00m. It was measured by the SOONOS multi-agent engine and scores 87/100 overall — festival ready.
The engine files this performance as “Promising”.
This DJ understands that the space between the tracks is where the real magic happens.
How the score breaks down
SOONOS scores this set across 5 weighted categories. The strongest is IDENTITY at 95/100; the weakest is SURPRISE at 85/100.
Analysis coverage for this file is 100% — the share of the set the engine could measure with full confidence.
Energy and structure
The energy curve was sampled at 59 points, moving between 20 and 88 on the SOONOS energy scale — a wide dynamic range across the set.
6 transitions were detected and scored individually.
Beat-grid measurement (DSP) reports 321.3 grid breaks per hour, with a median beat offset of 26 ms.
How this score is built
Measured layer (DSP): the audio file is analysed directly — beat grid, tempo stability, loudness and energy. These values are measurements, not opinions.
Listening layer: a multi-agent pass reads musical intent — programming, storytelling, coherence and crowd effect. This layer interprets, it does not measure.
Fusion and ceilings: the two layers are merged, and the measured layer always wins on execution. When the DSP hears an execution problem, it caps the final score even if the listening layer is positive.
Measured coverage for this file is 100% of the set.
Full SOONOS analysis
This DJ understands that the space between the tracks is where the real magic happens.
The 8 dimensions
Not available — the 8-dimension profile was not measured for this set.
Score breakdown
TECHNIQUE
How well did you execute?
25%86
TECHNIQUE
How well did you execute?
STORYTELLING
Did the mix go somewhere?
25%91
STORYTELLING
Did the mix go somewhere?
ENERGY
Did you control the room?
20%89
ENERGY
Did you control the room?
SURPRISE
Did you remain unpredictable?
15%85
SURPRISE
Did you remain unpredictable?
IDENTITY
Did the mix sound like you?
15%95
IDENTITY
Did the mix sound like you?
Energy arc
Transitions analysed (6)
Long EQ blend with low-end swap
Perfectly executed handover of the sub-frequencies.
Melodic layering and mid-range fade
Smooth introduction of the vocal element.
64-bar EQ blend, surgical low-end swap
Invisible transition. The incoming percussion layers perfectly with the outgoing groove.
Harmonic blend with mid-range focus
Smooth integration of a vocal-led track. The keys are perfectly matched.
Extended EQ blend with high-pass filtering
A masterfully executed long blend where the incoming percussion is introduced so subtly it feels like a natural progression of the first track.
Phrase-perfect low-end swap
The transition occurs exactly on the 32-bar boundary with a flawless bass swap that re-energizes the room without a volume spike.
Technical subscores
89
EQ balance
95
Beat alignment
89
Energy control
96
Tempo stability
87
Loudness control
93
Musical coherence
93
Harmonic compatibility
91
Transition cleanliness
Measured (DSP)
26 ms
Beat-grid drift (median)
Typical gap between the two tracks' beats while they play together. Lower is tighter.
144 ms
Drift p95
Worst-case drift: 95% of the set stays tighter than this value.
7,183
Boundaries detected
Points where the audio changes track or section.
49
Hard cuts / h
Abrupt track changes per hour, with no blend between the two records.
68
Clipping events
Moments where the recording hits the ceiling and distorts.
347
Level jumps
Sudden volume steps between tracks.
Measurement confidence 100% · analysed on the full audio.
Recurring patterns
Long static loops (6×)
Sections sitting on the same loop without layering, EQ moves or tension shifts (20:00, 36:00, 45:30, 48:00, 52:30, 60:00). Long loops kill dancefloor momentum.
Timeline
- 0:05Atmospheric Hook
- 10:15Breakdown Control
- 15:45Groove Lock Peak
- 21:20Atmospheric Shift
- 26:15Percussive Synergy
Coaching notes
- Maintain the current level of restraint; it sets you apart from amateur DJs.
- Experiment with even longer blends (96+ bars) to further blur the lines between tracks.
- Consider adding a very subtle field recording layer (e.g., city sounds, nature) to deepen the organic atmosphere.
- Continue to trust the long-form blends; they are your greatest technical asset.
- Maintain the high level of harmonic curation seen in this segment.
- Consider adding a very brief 'dry' percussive breakdown to contrast the lush atmospheres.
- Maintain the current level of percussive layering; it is your strongest technical asset.
- Experiment with even longer transition windows (96+ bars) to further blur the lines between tracks.
- Use subtle melodic motifs to foreshadow upcoming energy shifts.
- Continue exploring the intersection of electronic grooves and live instrumentation for set finales.
- Maintain the high level of phrasing accuracy shown in the 112:14 transition.
- Experiment with slightly longer atmospheric bridges during the final fade-out to sustain the mood even longer.
Curious how your own set scores?
Methodology and limitations
This report is produced automatically from the published recording. It measures what is present in the audio file: a bad source encoding, a partial upload or a heavily processed broadcast version can change the measured values. Nothing here reflects the room, the crowd or the night itself.
Read the full SOONOS methodology →Questions about this analysis
- What score does Adam Port's Keinemusik Radio Show 100 live at Else Berlin by &ME, Rampa, Reznik, Adam Port get?
- Keinemusik Radio Show 100 live at Else Berlin by &ME, Rampa, Reznik, Adam Port scores 87/100 in the SOONOS Mix Database (festival ready), based on audio measurement plus multi-agent listening.
- How long is Keinemusik Radio Show 100 live at Else Berlin by &ME, Rampa, Reznik, Adam Port?
- The analysed recording runs 2h 00m.
- Which part of the mix scores best?
- IDENTITY is the strongest category at 95/100, while SURPRISE is the lowest at 85/100.
- How is this score calculated?
- SOONOS measures the audio with a DSP pass (beat grid, loudness, tempo, energy) and runs a multi-agent listening pass on top. Measured axes always override the listening layer, so an execution issue heard in the file caps the final score.
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Test how a set like this one would land in a club, a beach club or a festival.
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