Andrea Oliva — Andrea Oliva live, Circoloco @ DC10, Ibiza (NYD)
House · 1h 12m · Circoloco · analysed 21 Aug 2026 · source: soundcloud.com
Public mix analysis — no affiliation or endorsement. This report measures a publicly available recording hosted on soundcloud.com. The scores are produced by SOONOS and do not imply any partnership with, or approval by, Andrea Oliva.
In short
Andrea Oliva live, Circoloco @ DC10, Ibiza (NYD) by Andrea Oliva scores 83/100 in the SOONOS analysis (club ready). The strongest dimension is IDENTITY (90/100) and the weakest is SURPRISE (79/100).
The DJ's ability to maintain a relentless groove through subtle layering and precise EQ work is a hallmark of professional club mixing.
Key takeaways
What weakened the set
- Long static loops (6×) — Sections sitting on the same loop without layering, EQ moves or tension shifts (0:00, 14:00, 26:00, 32:00, 36:00, 42:00). Long loops kill dancefloor momentum.
What to try next
- Continue to use vocal loops as a tension-building tool; it's a clear strength in this set.
- Experiment with slightly more aggressive filter work during the long percussive stretches to add another layer of dynamism.
- Maintain the current balance between rolling rhythm and melodic 'moments' to keep the set from becoming too linear.
- Introduce more melodic elements to add emotional depth to the set.
Timestamped insights
Each moment below is tagged with how it was produced: “measured” comes from the DSP pass on the audio, “listening” comes from the multi-agent listening pass.
Perfectly executed handover; the transition is almost imperceptible, maintaining the groove's momentum.
Smooth introduction of new rhythmic elements that naturally elevate the energy level.
Expertly executed handover. The incoming kick replaces the outgoing one without any phase cancellation or volume dip.
Smooth integration of new rhythmic elements. The DJ waits for the phrase to resolve before fully committing.
Clean transition using high-pass filtering to bring in the new track's top-end before the drop.
A textbook tech-house transition. The incoming track's hats are introduced early, followed by a smooth bass handover at the phrase change.
About this house set
Andrea Oliva live, Circoloco @ DC10, Ibiza (NYD) is a house DJ set by Andrea Oliva, running 1h 12m. It was measured by the SOONOS multi-agent engine and scores 83/100 overall — club ready.
The engine files this performance as “Promising”.
The DJ's ability to maintain a relentless groove through subtle layering and precise EQ work is a hallmark of professional club mixing.
How the score breaks down
SOONOS scores this set across 5 weighted categories. The strongest is IDENTITY at 90/100; the weakest is SURPRISE at 79/100.
Analysis coverage for this file is 100% — the share of the set the engine could measure with full confidence.
Energy and structure
The energy curve was sampled at 42 points, moving between 65 and 92 on the SOONOS energy scale — a moderate dynamic range across the set.
6 transitions were detected and scored individually.
Beat-grid measurement (DSP) reports 95.7 grid breaks per hour, with a median beat offset of 20 ms.
How this score is built
Measured layer (DSP): the audio file is analysed directly — beat grid, tempo stability, loudness and energy. These values are measurements, not opinions.
Listening layer: a multi-agent pass reads musical intent — programming, storytelling, coherence and crowd effect. This layer interprets, it does not measure.
Fusion and ceilings: the two layers are merged, and the measured layer always wins on execution. When the DSP hears an execution problem, it caps the final score even if the listening layer is positive.
Measured coverage for this file is 100% of the set.
Full SOONOS analysis
The DJ's ability to maintain a relentless groove through subtle layering and precise EQ work is a hallmark of professional club mixing.
The 8 dimensions
Not available — the 8-dimension profile was not measured for this set.
Score breakdown
TECHNIQUE
How well did you execute?
25%89
TECHNIQUE
How well did you execute?
STORYTELLING
Did the mix go somewhere?
25%87
STORYTELLING
Did the mix go somewhere?
ENERGY
Did you control the room?
20%82
ENERGY
Did you control the room?
SURPRISE
Did you remain unpredictable?
15%79
SURPRISE
Did you remain unpredictable?
IDENTITY
Did the mix sound like you?
15%90
IDENTITY
Did the mix sound like you?
Energy arc
Transitions analysed (6)
Long EQ blend with low-end swap
Perfectly executed handover; the transition is almost imperceptible, maintaining the groove's momentum.
Progressive layering
Smooth introduction of new rhythmic elements that naturally elevate the energy level.
Long EQ blend with low-end swap
Expertly executed handover. The incoming kick replaces the outgoing one without any phase cancellation or volume dip.
Percussive layering
Smooth integration of new rhythmic elements. The DJ waits for the phrase to resolve before fully committing.
Filter-assisted blend
Clean transition using high-pass filtering to bring in the new track's top-end before the drop.
Long EQ blend with low-end swap
A textbook tech-house transition. The incoming track's hats are introduced early, followed by a smooth bass handover at the phrase change.
Technical subscores
90
EQ balance
94
Beat alignment
88
Energy control
95
Tempo stability
89
Loudness control
90
Musical coherence
87
Harmonic compatibility
91
Transition cleanliness
Measured (DSP)
20 ms
Beat-grid drift (median)
Typical gap between the two tracks' beats while they play together. Lower is tighter.
37 ms
Drift p95
Worst-case drift: 95% of the set stays tighter than this value.
4,327
Boundaries detected
Points where the audio changes track or section.
33
Hard cuts / h
Abrupt track changes per hour, with no blend between the two records.
384
Clipping events
Moments where the recording hits the ceiling and distorts.
150
Level jumps
Sudden volume steps between tracks.
Measurement confidence 100% · analysed on the full audio.
Recurring patterns
Long static loops (6×)
Sections sitting on the same loop without layering, EQ moves or tension shifts (0:00, 14:00, 26:00, 32:00, 36:00, 42:00). Long loops kill dancefloor momentum.
Timeline
- 0:45Groove Establishment
- 6:20Atmospheric Shift
- 10:45Energy Peak of Segment
- 15:30Groove Lock
- 20:15Energy Plateau
- 28:45Groove Shift
Coaching notes
- Continue to use vocal loops as a tension-building tool; it's a clear strength in this set.
- Experiment with slightly more aggressive filter work during the long percussive stretches to add another layer of dynamism.
- Maintain the current balance between rolling rhythm and melodic 'moments' to keep the set from becoming too linear.
- Introduce more melodic elements to add emotional depth to the set.
- Experiment with more dramatic breakdowns and build-ups to create distinct peaks.
- Use FX and vocal stabs more creatively to punctuate the groove.
- Vary the energy levels slightly to avoid rhythmic monotony over long periods.
- Experiment with more aggressive EQ cuts during transitions to add surprise.
- Use long-tail reverbs on vocal elements to create more atmospheric depth.
- Consider a brief 'reset' moment with a total low-end cut to maximize the impact of the next drop.
Curious how your own set scores?
Methodology and limitations
This report is produced automatically from the published recording. It measures what is present in the audio file: a bad source encoding, a partial upload or a heavily processed broadcast version can change the measured values. Nothing here reflects the room, the crowd or the night itself.
Read the full SOONOS methodology →Questions about this analysis
- What score does Andrea Oliva's Andrea Oliva live, Circoloco @ DC10, Ibiza (NYD) get?
- Andrea Oliva live, Circoloco @ DC10, Ibiza (NYD) scores 83/100 in the SOONOS Mix Database (club ready), based on audio measurement plus multi-agent listening.
- How long is Andrea Oliva live, Circoloco @ DC10, Ibiza (NYD)?
- The analysed recording runs 1h 12m.
- Which part of the mix scores best?
- IDENTITY is the strongest category at 90/100, while SURPRISE is the lowest at 79/100.
- How is this score calculated?
- SOONOS measures the audio with a DSP pass (beat grid, loudness, tempo, energy) and runs a multi-agent listening pass on top. Measured axes always override the listening layer, so an execution issue heard in the file caps the final score.
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