Chris Avantgarde — DCR778 – Drumcode Radio Live - Adam Beyer & Chris Avantgarde live from Lamercedes, Barcelona

    Melodic Techno · 2h 01m · analysed 22 Aug 2026 · source: soundcloud.com

    Overall score
    88/100
    Level
    festival ready
    Duration
    2h 01m
    Genre
    Melodic Techno

    Public mix analysis — no affiliation or endorsement. This report measures a publicly available recording hosted on soundcloud.com. The scores are produced by SOONOS and do not imply any partnership with, or approval by, Chris Avantgarde.

    In short

    DCR778 – Drumcode Radio Live - Adam Beyer & Chris Avantgarde live from Lamercedes, Barcelona by Chris Avantgarde scores 88/100 in the SOONOS analysis (festival ready). The strongest dimension is IDENTITY (95/100) and the weakest is SURPRISE (86/100).

    Mastery is often found in the transitions you don't notice.

    Key takeaways

    What weakened the set

    • Long static loops (6×) — Sections sitting on the same loop without layering, EQ moves or tension shifts (5:30, 28:00, 66:00, 75:00, 80:15, 88:00). Long loops kill dancefloor momentum.

    What to try next

    • Experiment with more dramatic energy resets to create higher contrast.
    • Introduce more unexpected melodic elements to further distinguish the artistic voice.
    • Maintain the current level of technical precision; it is world-class.
    • Maintain the excellent balance between driving percussion and melodic leads.

    Timestamped insights

    Each moment below is tagged with how it was produced: “measured” comes from the DSP pass on the audio, “listening” comes from the multi-agent listening pass.

    • 02:15Measured (DSP)92/100Listen at 02:15

      Seamless integration of the new kick pattern, maintaining perfect phase alignment.

    • 05:20Measured (DSP)90/100Listen at 05:20

      Smooth transition of melodic elements, avoiding any frequency masking.

    • 14:22Measured (DSP)92/100Listen at 14:22

      Seamless integration of the incoming track's percussion over the outgoing bassline.

    • 19:45Measured (DSP)90/100Listen at 19:45

      Effective use of tension building through filtering, leading into a powerful rhythmic drop.

    • 22:48Measured (DSP)94/100Listen at 22:48

      Perfectly executed transition; the new bassline takes over without any phase cancellation.

    • 27:15Measured (DSP)92/100Listen at 27:15

      High energy handoff; the transition itself acts as a rhythmic build-up.

    About this melodic techno set

    DCR778 – Drumcode Radio Live - Adam Beyer & Chris Avantgarde live from Lamercedes, Barcelona is a melodic techno DJ set by Chris Avantgarde, running 2h 01m. It was measured by the SOONOS multi-agent engine and scores 88/100 overall — festival ready.

    The engine files this performance as “Promising”.

    Mastery is often found in the transitions you don't notice.

    How the score breaks down

    SOONOS scores this set across 5 weighted categories. The strongest is IDENTITY at 95/100; the weakest is SURPRISE at 86/100.

    Analysis coverage for this file is 100% — the share of the set the engine could measure with full confidence.

    Energy and structure

    The energy curve was sampled at 45 points, moving between 40 and 95 on the SOONOS energy scale — a wide dynamic range across the set.

    6 transitions were detected and scored individually.

    Beat-grid measurement (DSP) reports 972.3 grid breaks per hour, with a median beat offset of 19 ms.

    How this score is built

    Measured layer (DSP): the audio file is analysed directly — beat grid, tempo stability, loudness and energy. These values are measurements, not opinions.

    Listening layer: a multi-agent pass reads musical intent — programming, storytelling, coherence and crowd effect. This layer interprets, it does not measure.

    Fusion and ceilings: the two layers are merged, and the measured layer always wins on execution. When the DSP hears an execution problem, it caps the final score even if the listening layer is positive.

    Measured coverage for this file is 100% of the set.

    Listen to the original set

    Full SOONOS analysis

    0

    Mastery is often found in the transitions you don't notice.

    The 8 dimensions

    Not available — the 8-dimension profile was not measured for this set.

    Score breakdown

    TECHNIQUE

    How well did you execute?

    25%87
    Beat Alignmentmeasured82
    Transition Qualitymeasured76
    Phrase Accuracymeasured94
    EQ & Frequency Control (estimated)measured91
    Tempo Stability (estimated)measured97
    Technical Cleanlinessmeasured85

    STORYTELLING

    Did the mix go somewhere?

    25%92
    Narrative ArcAI93
    ProgressionAI91
    Tension & ReleaseAI89
    Section AwarenessAI92
    Flow ContinuityAI95
    PayoffAI93

    ENERGY

    Did you control the room?

    20%89
    Energy Curvemeasured88
    PacingAI93
    MomentumAI95
    Peak ManagementAI91
    Energy HandoffAI92
    Fatigue ControlAI65

    SURPRISE

    Did you remain unpredictable?

    15%86
    Unexpected MomentsAI84
    ContrastAI85
    Transition Varietymeasured93
    Selection RiskAI91
    FreshnessAI68
    Surprise ControlAI84

    IDENTITY

    Did the mix sound like you?

    15%95
    Selection QualityAI93
    Identity ConsistencyAI98
    IntentionalityAI96
    ConfidenceAI97
    RestraintAI89
    SignatureAI94

    Energy arc

    00:00121:16

    Transitions analysed (6)

    02:15

    Long EQ blend with low-end swap

    Seamless integration of the new kick pattern, maintaining perfect phase alignment.

    92
    05:20

    Mid-range frequency handover

    Smooth transition of melodic elements, avoiding any frequency masking.

    90
    14:22

    Long EQ blend with low-end swap

    Seamless integration of the incoming track's percussion over the outgoing bassline.

    92
    19:45

    High-pass filter sweep into a drop

    Effective use of tension building through filtering, leading into a powerful rhythmic drop.

    90
    22:48

    Long EQ blend with low-end swap

    Perfectly executed transition; the new bassline takes over without any phase cancellation.

    94
    27:15

    Layered percussion build into drop

    High energy handoff; the transition itself acts as a rhythmic build-up.

    92

    Technical subscores

    91

    EQ balance

    95

    Beat alignment

    91

    Energy control

    97

    Tempo stability

    91

    Loudness control

    93

    Musical coherence

    90

    Harmonic compatibility

    91

    Transition cleanliness

    Measured (DSP)

    19 ms

    Beat-grid drift (median)

    Typical gap between the two tracks' beats while they play together. Lower is tighter.

    242 ms

    Drift p95

    Worst-case drift: 95% of the set stays tighter than this value.

    7,258

    Boundaries detected

    Points where the audio changes track or section.

    57

    Hard cuts / h

    Abrupt track changes per hour, with no blend between the two records.

    99

    Clipping events

    Moments where the recording hits the ceiling and distorts.

    257

    Level jumps

    Sudden volume steps between tracks.

    Measurement confidence 100% · analysed on the full audio.

    Recurring patterns

    • Long static loops (6×)

      Sections sitting on the same loop without layering, EQ moves or tension shifts (5:30, 28:00, 66:00, 75:00, 80:15, 88:00). Long loops kill dancefloor momentum.

    Timeline

    • 04:30The Layering Masterclass
    • 09:12Tension Peak
    • 12:15Groove Lock
    • 17:30Atmospheric Shift
    • 25:30Groove Lock Peak
    • 29:45Tension Plateau

    Coaching notes

    • Experiment with more dramatic energy resets to create higher contrast.
    • Introduce more unexpected melodic elements to further distinguish the artistic voice.
    • Maintain the current level of technical precision; it is world-class.
    • Maintain the excellent balance between driving percussion and melodic leads.
    • Continue using long, transparent blends for emotional transitions.
    • Experiment with slightly more dramatic silence in breakdowns for even higher impact.
    Listen on SoundCloud

    Curious how your own set scores?

    Methodology and limitations

    This report is produced automatically from the published recording. It measures what is present in the audio file: a bad source encoding, a partial upload or a heavily processed broadcast version can change the measured values. Nothing here reflects the room, the crowd or the night itself.

    Read the full SOONOS methodology →

    Questions about this analysis

    What score does Chris Avantgarde's DCR778 – Drumcode Radio Live - Adam Beyer & Chris Avantgarde live from Lamercedes, Barcelona get?
    DCR778 – Drumcode Radio Live - Adam Beyer & Chris Avantgarde live from Lamercedes, Barcelona scores 88/100 in the SOONOS Mix Database (festival ready), based on audio measurement plus multi-agent listening.
    How long is DCR778 – Drumcode Radio Live - Adam Beyer & Chris Avantgarde live from Lamercedes, Barcelona?
    The analysed recording runs 2h 01m.
    Which part of the mix scores best?
    IDENTITY is the strongest category at 95/100, while SURPRISE is the lowest at 86/100.
    How is this score calculated?
    SOONOS measures the audio with a DSP pass (beat grid, loudness, tempo, energy) and runs a multi-agent listening pass on top. Measured axes always override the listening layer, so an execution issue heard in the file caps the final score.

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