Boris Brejcha — Boris Brejcha @ Grand Palais for Cercle

In short

Boris Brejcha @ Grand Palais for Cercle by Boris Brejcha scores 70/100 in the SOONOS analysis (solid). The strongest dimension is IDENTITY (96/100) and the weakest is TECHNIQUE (83/100).

The engine files this performance as “Promising”.

Key takeaways

Timestamped insights

Each moment below is tagged with how it was produced: “measured” comes from the DSP pass on the audio, “listening” comes from the multi-agent listening pass.

• 11:45Measured (DSP)98/100Listen at 11:45

  Textbook minimal transition. The incoming track's percussion is introduced so subtly it feels like an arrangement change.

• 16:22Measured (DSP)95/100Listen at 16:22

  Seamless energy handoff. The low-end swap is perfectly timed with the phrase, maintaining the 'rolling' momentum.

• 20:50Measured (DSP)92/100Listen at 20:50

  High-energy transition designed for maximum impact. The use of the filter creates a vacuum that the new track fills perfectly.

• 24:15Measured (DSP)95/100Listen at 24:15

  Perfectly executed transition, maintaining the hypnotic flow.

• 29:15Measured (DSP)92/100Listen at 29:15

  Transparent transition that enhances the narrative arc.

About this high tech minimal set

Boris Brejcha @ Grand Palais for Cercle is a high tech minimal DJ set by Boris Brejcha, running 2h 17m. It was measured by the SOONOS multi-agent engine and scores 70/100 overall — solid.

The engine files this performance as “Promising”.

How the score breaks down

SOONOS scores this set across 5 weighted categories. The strongest is IDENTITY at 96/100; the weakest is TECHNIQUE at 83/100.

The final score is capped by measured beatmatching: the DSP layer overrides the listening layer whenever it measures an execution issue directly in the audio.

Analysis coverage for this file is 100% — the share of the set the engine could measure with full confidence.

Energy and structure

The energy curve was sampled at 55 points, moving between 15 and 94 on the SOONOS energy scale — a wide dynamic range across the set.

7 transitions were detected and scored individually.

Beat-grid measurement (DSP) reports 326.6 grid breaks per hour, with a median beat offset of 29 ms.

How this score is built

Measured layer (DSP): the audio file is analysed directly — beat grid, tempo stability, loudness and energy. These values are measurements, not opinions.

Listening layer: a multi-agent pass reads musical intent — programming, storytelling, coherence and crowd effect. This layer interprets, it does not measure.

Fusion and ceilings: the two layers are merged, and the measured layer always wins on execution. When the DSP hears an execution problem, it caps the final score even if the listening layer is positive.

On this set, the ceiling applied is measured beatmatching.

Measured coverage for this file is 100% of the set.

Methodology and limitations

This report is produced automatically from the published recording. It measures what is present in the audio file: a bad source encoding, a partial upload or a heavily processed broadcast version can change the measured values. Nothing here reflects the room, the crowd or the night itself.

Questions about this analysis

What score does Boris Brejcha's Boris Brejcha @ Grand Palais for Cercle get?

Boris Brejcha @ Grand Palais for Cercle scores 70/100 in the SOONOS Mix Database (solid), based on audio measurement plus multi-agent listening.

How long is Boris Brejcha @ Grand Palais for Cercle?

The analysed recording runs 2h 17m.

Which part of the mix scores best?

IDENTITY is the strongest category at 96/100, while TECHNIQUE is the lowest at 83/100.

How is this score calculated?

SOONOS measures the audio with a DSP pass (beat grid, loudness, tempo, energy) and runs a multi-agent listening pass on top. Measured axes always override the listening layer, so an execution issue heard in the file caps the final score.