Angerfist — Angerfist LIVE - Creed of Chaos (Bootshaus Germany, 31.08.2018)
Hardcore · 59 min · analysed 21 Aug 2026 · source: soundcloud.com
Public mix analysis — no affiliation or endorsement. This report measures a publicly available recording hosted on soundcloud.com. The scores are produced by SOONOS and do not imply any partnership with, or approval by, Angerfist.
In short
Angerfist LIVE - Creed of Chaos (Bootshaus Germany, 31.08.2018) by Angerfist scores 75/100 in the SOONOS analysis (solid). The strongest dimension is IDENTITY (94/100) and the weakest is TECHNIQUE (78/100).
The engine files this performance as “Promising”.
Key takeaways
What weakened the set
- Long static loops (1×) — Sections sitting on the same loop without layering, EQ moves or tension shifts (28:30). Long loops kill dancefloor momentum.
Timestamped insights
Each moment below is tagged with how it was produced: “measured” comes from the DSP pass on the audio, “listening” comes from the multi-agent listening pass.
Intentional reset
Strategic disruption
Intentional reset
Strategic disruption
Perfectly timed vocal entry that resets the vibe for the 'Creed of Chaos' chapter.
About this hardcore set
Angerfist LIVE - Creed of Chaos (Bootshaus Germany, 31.08.2018) is a hardcore DJ set by Angerfist, running 59 min. It was measured by the SOONOS multi-agent engine and scores 75/100 overall — solid.
The engine files this performance as “Promising”.
How the score breaks down
SOONOS scores this set across 5 weighted categories. The strongest is IDENTITY at 94/100; the weakest is TECHNIQUE at 78/100.
The final score is capped by measured beatmatching: the DSP layer overrides the listening layer whenever it measures an execution issue directly in the audio.
Analysis coverage for this file is 100% — the share of the set the engine could measure with full confidence.
Energy and structure
The energy curve was sampled at 7 points, moving between 60 and 98 on the SOONOS energy scale — a moderate dynamic range across the set.
8 transitions were detected and scored individually.
Beat-grid measurement (DSP) reports 798.2 grid breaks per hour, with a median beat offset of 28 ms.
How this score is built
Measured layer (DSP): the audio file is analysed directly — beat grid, tempo stability, loudness and energy. These values are measurements, not opinions.
Listening layer: a multi-agent pass reads musical intent — programming, storytelling, coherence and crowd effect. This layer interprets, it does not measure.
Fusion and ceilings: the two layers are merged, and the measured layer always wins on execution. When the DSP hears an execution problem, it caps the final score even if the listening layer is positive.
On this set, the ceiling applied is measured beatmatching.
Measured coverage for this file is 100% of the set.
Full SOONOS analysis
The 8 dimensions
Not available — the 8-dimension profile was not measured for this set.
Score breakdown
TECHNIQUE
How well did you execute?
25%78
TECHNIQUE
How well did you execute?
STORYTELLING
Did the mix go somewhere?
25%92
STORYTELLING
Did the mix go somewhere?
ENERGY
Did you control the room?
20%87
ENERGY
Did you control the room?
SURPRISE
Did you remain unpredictable?
15%83
SURPRISE
Did you remain unpredictable?
IDENTITY
Did the mix sound like you?
15%94
IDENTITY
Did the mix sound like you?
Final score capped by measured beatmatching — the weighted average before the cap was 86.
Energy arc
Transitions analysed (8)
Perfect Impact
intentional_reset
Minor Level Jump
Seamless Phrase Swap
strategic_disruption
Minor Level Jump
Perfect Phrase Match
intentional_reset
Noticeable EQ Clash
Subtle Phase Drift
strategic_disruption
Narrative overlay and drop swap
Perfectly timed vocal entry that resets the vibe for the 'Creed of Chaos' chapter.
Technical subscores
83
EQ balance
91
Beat alignment
92
Energy control
94
Tempo stability
87
Loudness control
88
Musical coherence
80
Harmonic compatibility
84
Transition cleanliness
Measured (DSP)
28 ms
Beat-grid drift (median)
Typical gap between the two tracks' beats while they play together. Lower is tighter.
192 ms
Drift p95
Worst-case drift: 95% of the set stays tighter than this value.
3,528
Boundaries detected
Points where the audio changes track or section.
191
Hard cuts / h
Abrupt track changes per hour, with no blend between the two records.
10166
Clipping events
Moments where the recording hits the ceiling and distorts.
289
Level jumps
Sudden volume steps between tracks.
Measurement confidence 99% · analysed on the full audio.
Recurring patterns
Long static loops (1×)
Sections sitting on the same loop without layering, EQ moves or tension shifts (28:30). Long loops kill dancefloor momentum.
Timeline
- 18:40Risky pressure or vibe dip
- 24:45The Silence of Chaos
Curious how your own set scores?
Methodology and limitations
This report is produced automatically from the published recording. It measures what is present in the audio file: a bad source encoding, a partial upload or a heavily processed broadcast version can change the measured values. Nothing here reflects the room, the crowd or the night itself.
Read the full SOONOS methodology →Questions about this analysis
- What score does Angerfist's Angerfist LIVE - Creed of Chaos (Bootshaus Germany, 31.08.2018) get?
- Angerfist LIVE - Creed of Chaos (Bootshaus Germany, 31.08.2018) scores 75/100 in the SOONOS Mix Database (solid), based on audio measurement plus multi-agent listening.
- How long is Angerfist LIVE - Creed of Chaos (Bootshaus Germany, 31.08.2018)?
- The analysed recording runs 59 min.
- Which part of the mix scores best?
- IDENTITY is the strongest category at 94/100, while TECHNIQUE is the lowest at 78/100.
- How is this score calculated?
- SOONOS measures the audio with a DSP pass (beat grid, loudness, tempo, energy) and runs a multi-agent listening pass on top. Measured axes always override the listening layer, so an execution issue heard in the file caps the final score.
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Test how a set like this one would land in a club, a beach club or a festival.
Get the same breakdown on your own set: transitions, energy arc and measured execution.
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